{"id":2445,"date":"2013-09-30T20:12:32","date_gmt":"2013-10-01T01:12:32","guid":{"rendered":"http:\/\/admiringlight.com\/blog\/?p=2445"},"modified":"2024-09-05T17:35:58","modified_gmt":"2024-09-05T22:35:58","slug":"review-zhongyi-lens-turbo-minolta-md-to-fuji-x","status":"publish","type":"post","link":"https:\/\/admiringlight.com\/blog\/review-zhongyi-lens-turbo-minolta-md-to-fuji-x\/","title":{"rendered":"Review: Zhongyi Lens Turbo (Minolta MD to Fuji X)"},"content":{"rendered":"\n<figure class=\"wp-block-image alignright\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/lt1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"239\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/lt1-300x239.jpg\" alt=\"Zhongyi Lens Turbo\" class=\"wp-image-2454\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/lt1-300x239.jpg 300w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/lt1.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption class=\"wp-element-caption\">Zhongyi Lens Turbo<\/figcaption><\/figure>\n\n\n\n<p>Metabones made waves last year with the release of the SpeedBooster &#8211; a 0.71x wide converter that allows you to take a full-frame lens and use it with its near original field of view and depth of field on an APS-C sensor.<\/p>\n\n\n\n<p>While the optics have shown to be very impressive with the SpeedBooster, it has some downsides, it&#8217;s an expensive accessory, costing between $400 and $600 depending on the mount, and the mount selection is good, but not excellent.<\/p>\n\n\n\n<p>Enter Zhongyi: a Chinese company that has begun making their version of the SpeedBooster, called the &#8220;Lens Turbo.&#8221;&nbsp; They&#8217;ve started producing them for a wide range of mounts, and while the Fuji X Lens Turbo line is currently limited to Pentax K and Minolta MD, the Sony side has most anything you can think of, including Canon FD.&nbsp; I very much hope to see FD to Fuji X SpeedBoosters and Lens Turbos out soon, as I have a lot of Canon FD glass. <em>Edit: Since publication of this review, Metabones has released Canon FD SpeedBoosters&#8230;take a look at my <a href=\"http:\/\/admiringlight.com\/blog\/review-metabones-speed-booster-canon-fd-to-fuji-x\/\">review here.<\/a>&nbsp;<\/em> Zhongyi also is pricing their Lens Turbo at a much more accessible $130.&nbsp; At that price, we&#8217;re in impulse-buy territory.&nbsp; You expect a cheaper knockoff to be of somewhat lesser quality than the Metabones original, but is the Lens Turbo worth its price?&nbsp; Let&#8217;s take a look.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">So what does this thing do?<\/h3>\n\n\n\n<p>First, lets take a quick look at what the Lens Turbo is and how it works.&nbsp; Like the SpeedBooster, the Lens Turbo is a 0.71x wide converter.&nbsp; If you&#8217;ve used a teleconverter on a lens before, the LensTurbo is the same concept, but in reverse.&nbsp; With a 1.4x teleconverter, your lenses gain focal length by a factor of 1.4x, while you lose a stop of light gathering ability (the reason for this is the longer focal length, but the same aperture opening causes the f-number to change accordingly, since the f\/stop is the focal length divided by the effective aperture opening).<\/p>\n\n\n\n<p>With a Lens Turbo, the opposite occurs: you lose focal length by a factor of 0.71x and GAIN a stop of light.&nbsp; Thus, a 50mm f\/1.4 used on the Lens Turbo will become a 35mm f\/1.0!&nbsp; When you add back in the APS-C sensor&#8217;s 1.5x crop factor, you get a combination that acts like a 53mm lens, and due to the larger aperture, depth of field will be similar to how a 50mm f\/1.4 lens will act on a full frame camera.&nbsp; So, in short, the Lens Turbo makes your full frame lenses act as if they were on full frame when mounted to an APS-C camera (with the added benefit of collecting light a stop faster, so all exposure is one stop faster than the same lens on full frame).<\/p>\n\n\n\n<p>To see this in action, take a look at two shots taken from the exact same spot: One with the Fuji 35mm f\/1.4 at f\/1.4, and the other with the Minolta MC Rokkor 50mm f\/1.4 with Lens Turbo, resulting in a 35mm f\/1.0.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/eagle_fuji.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"700\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/eagle_fuji-1024x700.jpg\" alt=\"Eagle Statue - Fujifilm X-E1 with Fujinon XF 35mm f\/1.4 @ f\/1.4\" class=\"wp-image-2452\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/eagle_fuji-1024x700.jpg 1024w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/eagle_fuji-300x205.jpg 300w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/eagle_fuji.jpg 1216w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Eagle Statue &#8211; Fujifilm X-E1 with Fujinon XF 35mm f\/1.4 @ f\/1.4<\/figcaption><\/figure>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/eagle_lt.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"700\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/eagle_lt-1024x700.jpg\" alt=\"Eagle Statue - Fujifilm X-E1 with Minolta Rokkor 50mm f\/1.4 and Lens Turbo @ 35mm, f\/1.0\" class=\"wp-image-2451\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/eagle_lt-1024x700.jpg 1024w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/eagle_lt-300x205.jpg 300w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/eagle_lt.jpg 1216w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Eagle Statue &#8211; Fujifilm X-E1 with Minolta Rokkor 50mm f\/1.4 and Lens Turbo @ 35mm, f\/1.0<\/figcaption><\/figure>\n\n\n\n<p>Here you can easily see the shallower depth of field and larger specular highlights of the 50mm f\/1.4 on the Lens Turbo vs the Fuji 35mm at f\/1.4.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Build Quality<\/h3>\n\n\n\n<p>Somewhat unexpectedly given its &#8216;clone&#8217; status, the Lens Turbo is surprisingly robustly built.&nbsp; It&#8217;s machined out of solid aluminum with what appears to be a nickel-plated brass lens mount on the lens side.&nbsp; The locking mechanism for the lens isn&#8217;t very sophisticated, but lenses locked smoothly and the Lens Turbo itself cleanly locks onto my camera without any wobbles or looseness.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/lt2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/lt2.jpg\" alt=\"Lens Turbo with Minolta MC Rokkor 50mm f\/1.4\" class=\"wp-image-2455\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/lt2.jpg 1024w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/lt2-300x200.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Lens Turbo with Minolta MC Rokkor 50mm f\/1.4<\/figcaption><\/figure>\n\n\n\n<p>The Lens Turbo is a fairly dense piece of kit as well&#8230;the glass optics and metal build lend a substantial weight to the piece.&nbsp; As a nice touch, the writing on the Lens Turbo is all engraved.&nbsp; Overall, the Lens Turbo is a well constructed and solid converter&#8230;a nice surprise given the low cost.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Continue: <a title=\"Review: Voigtl\u00e4nder Nokton 42.5mm f\/0.95\" href=\"http:\/\/admiringlight.com\/blog\/review-zhongyi-lens-turbo-minolta-md-to-fuji-x\/2\/\">Image Quality<\/a><\/h4>\n\n\n\n<!--nextpage-->\n\n\n\n<h3 class=\"wp-block-heading\">Image Quality<\/h3>\n\n\n\n<p>The Lens Turbo is a very interesting little item to review with regards to image quality, as it&#8217;s very hard to pin down exactly.&nbsp; Does it do what it promises?&nbsp; Yes and no.&nbsp; There are both very positive things about the image quality when using this converter, and some big negatives as well.&nbsp;&nbsp; I&#8217;m going to review this a little differently than normal because of the nature of how the Lens Turbo behaves.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Image Quality Positives:<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Images with slower aperture lenses, or fast aperture lenses when stopped down are quite sharp across the frame, save for the extreme corners.\u00a0 I had no issues with the MD 135mm f\/2.8 when wide open, or the MC Rokkor 50mm f\/1.4 when stopped down a fair bit.\u00a0 Images were sharp and contrasty and looked great.<\/li>\n\n\n\n<li>Bokeh appears to be predominantly unaffected by the Lens Turbo, retaining the same qualities of the lens attached.<\/li>\n\n\n\n<li>Image center is sharp even at very wide apertures (f\/1.0 when used with the MC 50mm f\/1.4), and it&#8217;s acceptably sharp across most of the frame at further focusing distances.<\/li>\n\n\n\n<li>You truly can get that full-frame look with fast lenses.<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Image Quality Negatives:<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>When used with fast-aperture lenses at closer focus distances, the image sharpness falls off dramatically away from the center, such that even the mid-frame area is notably softer than with the bare lens and a standard adapter. \u00a0This is especially true when focusing on flat field subjects due to the point below.<\/li>\n\n\n\n<li>Field Curvature appears to be exaggerated.\u00a0 If you focus using the edge of the frame for an isolated subject at the edge of the frame, sharpness isn&#8217;t quite as bad on fast lenses (though still not nearly as good as with the bare lens).\u00a0 However, the added field curvature means that if you focus using the center of the frame and recompose, or shoot a flat field subject that fills the frame, the edges become frankly terrible.<\/li>\n\n\n\n<li>The Lens Turbo introduces a fair bit of barrel distortion.<\/li>\n\n\n\n<li>Chromatic aberration is exacerbated at the edges of the frame.<\/li>\n\n\n\n<li>Can introduce some odd flare artifacts in certain circumstances.<\/li>\n\n\n\n<li>Some added spherical aberration is present at wide apertures.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Conclusion<\/h3>\n\n\n\n<p>So, ultimately, where do we stand with this thing?&nbsp; Well, first off, as expected, there is some optical compromise when you are going for the $130 knockoff rather than the original, very well designed Metabones SpeedBooster.<\/p>\n\n\n\n<p>However, for the price, despite degradation of resolution with faster lenses outside of the image center, I think the Lens Turbo is a useful little device as long as you don&#8217;t set your expectations too high. While images with fast lenses aren&#8217;t particularly sharp, they are, for the most part, quite usable and adequate for smaller print sizes and general shooting.<\/p>\n\n\n\n<p>If you planned to shoot with the Lens Turbo for a large portion of your work or for professional work, I&#8217;d recommend spending the extra money on a SpeedBooster (provided they make it for the mount you&#8217;d like to convert), but for occasional use when you want that full-frame depth of field, it&#8217;s useful.&nbsp; I don&#8217;t often need the depth of field provided by ultra-fast lenses on full frame, as the depth of field from faster lenses on APS-C and Micro 4\/3 provides plenty of isolation while keeping the subject sharp. However, for those times I want that super shallow look (especially in the normal focal range), I can grab this and get a decent shot.<\/p>\n\n\n\n<p>Ultimately, the Lens Turbo provides usable images with that full-frame look at a relatively low price.&nbsp; It&#8217;s not a great buy, and it&#8217;s not a perfect set of optics, but it&#8217;s not a bad buy either.&nbsp; The current $130 price range on eBay is right about where I&#8217;d put the worth on the Lens Turbo &#8211; if it were more expensive, the cons to image quality would be much harder to ignore.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Image Samples<\/h3>\n\n\n\n<p><em>Click on an image to enlarge<\/em><\/p>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/chloe_piano2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1216\" height=\"832\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/chloe_piano2.jpg\" alt=\"At the Piano - Fujifilm X-M1 with Minolta Rokkor MC 50mm f\/1.4 and Lens Turbo @ 35mm f\/1.0\" class=\"wp-image-2463\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/chloe_piano2.jpg 1216w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/chloe_piano2-300x205.jpg 300w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/chloe_piano2-1024x700.jpg 1024w\" sizes=\"auto, (max-width: 1216px) 100vw, 1216px\" \/><\/a><figcaption class=\"wp-element-caption\">At the Piano &#8211; Fujifilm X-M1 with Minolta Rokkor MC 50mm f\/1.4 and Lens Turbo @ 35mm f\/1.0<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image aligncenter\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/chloe_135lt.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"616\" height=\"932\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/chloe_135lt.jpg\" alt=\"- Fujifilm X-E1 with Minolta MD 135mm f\/2.8 and Lens Turbo @ 96mm f\/2.0\" class=\"wp-image-2464\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/chloe_135lt.jpg 616w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/chloe_135lt-198x300.jpg 198w\" sizes=\"auto, (max-width: 616px) 100vw, 616px\" \/><\/a><figcaption class=\"wp-element-caption\">&#8211; Fujifilm X-E1 with Minolta MD 135mm f\/2.8 and Lens Turbo @ 96mm f\/2.0<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image aligncenter\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/blocks_lt.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1216\" height=\"832\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/blocks_lt.jpg\" alt=\"Glass Blocks - Fujifilm X-M1 with Minolta Rokkor MC 50mm f\/1.4 and Lens Turbo @ 35mm f\/1.0\" class=\"wp-image-2465\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/blocks_lt.jpg 1216w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/blocks_lt-300x205.jpg 300w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/blocks_lt-1024x700.jpg 1024w\" sizes=\"auto, (max-width: 1216px) 100vw, 1216px\" \/><\/a><figcaption class=\"wp-element-caption\">Glass Blocks &#8211; Fujifilm X-M1 with Minolta Rokkor MC 50mm f\/1.4 and Lens Turbo @ 35mm f\/1.4<\/figcaption><\/figure>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Metabones made waves last year with the release of the SpeedBooster &#8211; a 0.71x wide converter that allows you to take a full-frame lens and use it with its near original field of view and depth of field on an APS-C sensor. While the optics have shown to be very impressive with the SpeedBooster, it [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2455,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"cybocfi_hide_featured_image":"","_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"enabled":false},"version":2},"_links_to":"","_links_to_target":""},"categories":[3],"tags":[290,225,287,31,8,288,289],"class_list":["post-2445","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","tag-focal-reducer","tag-fuji","tag-lens-turbo","tag-minolta","tag-review","tag-speed-booster","tag-wide-converter"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2013\/09\/lt2.jpg","jetpack_shortlink":"https:\/\/wp.me\/p28RGq-Dr","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/posts\/2445","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/comments?post=2445"}],"version-history":[{"count":15,"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/posts\/2445\/revisions"}],"predecessor-version":[{"id":12734,"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/posts\/2445\/revisions\/12734"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/media\/2455"}],"wp:attachment":[{"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/media?parent=2445"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/categories?post=2445"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/tags?post=2445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}