{"id":3123,"date":"2014-03-03T23:34:04","date_gmt":"2014-03-04T04:34:04","guid":{"rendered":"http:\/\/admiringlight.com\/blog\/?p=3123"},"modified":"2014-10-23T20:16:10","modified_gmt":"2014-10-24T01:16:10","slug":"review-fujifilm-x-t1","status":"publish","type":"post","link":"https:\/\/admiringlight.com\/blog\/review-fujifilm-x-t1\/","title":{"rendered":"Review: Fujifilm X-T1"},"content":{"rendered":"<p>Fuji has been releasing a host of new camera bodies for their X System, with a total of four new cameras in the past year. &nbsp;The latest breaks from the rangefinder-style tradition of the X-Series and brings us a mini-SLR style mirrorless camera in the X-T1. &nbsp;While it shares many of its features and capabilities with the X-E2, there are some exciting new upgrades as well as some control refinement. The Fuji X-T1 is in many ways the culmination of the X-Series to this point; it&#8217;s the most feature complete and the most refined, at least on paper. &nbsp;I&#8217;ve spent the past week putting the X-T1 through its paces to see how it measures up.<\/p>\n<figure id=\"attachment_3124\" aria-describedby=\"caption-attachment-3124\" style=\"width: 620px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_front.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-3124\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_front-1024x784.jpg\" alt=\"Fujifilm X-T1\" width=\"620\" height=\"474\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_front-1024x784.jpg 1024w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_front-300x229.jpg 300w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_front.jpg 1175w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-3124\" class=\"wp-caption-text\">Fujifilm X-T1<\/figcaption><\/figure>\n<p><em>If you\u2019re not familiar with my reviews, I review from a real world shooting perspective. You won\u2019t find lens charts or resolution numbers here. There are plenty of other sites that cover those. I review products on how they act for me as a photographic tool. I am not a videographer, so my reviews concentrate on the still imaging capabilities of a camera.<\/em><\/p>\n<h3>Body and Ergonomics<\/h3>\n<p>The Fuji X-T1 represents a departure of sorts for the X-Series. &nbsp;All the previous X-Series bodies had a retro rangefinder style to them. &nbsp;The X-Pro 1 and X100\/X100s took this all the way to having a corner optical viewfinder (though without rangefinder coupling, of course), though even the X-E and X-M\/A body styles continued the low profile rectangular shape, with the X-E1 and X-E2 sporting corner viewfinders.<\/p>\n<p>The X-T1 still has a retro design aesthetic, but it is reminiscent of the solid manual focus SLRs of the 60s and 70s. &nbsp;The X-T1 feels just as solid as those old SLRs as well. Indeed, the Fuji X-T1 is the first Fuji body I&#8217;ve handled that truly feels like a professional grade camera. &nbsp;It has a nice heft to it (without being actually&nbsp;<em>heavy<\/em>), is incredibly solid and feels like it was milled from a single block of magnesium. &nbsp;Gone is the slightly hollow feeling of the X-E1 and X-E2, and in its place is a body with absolutely zero flex, perfectly aligned seams and a high quality finish.The X-T1 is also the first Fuji mirrorless camera to be weather sealed. &nbsp;All the buttons, doors and seams are sealed against intrusion of moisture and dust, though there are currently no weather sealed lenses to pair with the body. &nbsp;Three new weather resistant lenses are due to be released in the next year.<\/p>\n<figure id=\"attachment_3125\" aria-describedby=\"caption-attachment-3125\" style=\"width: 300px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_front_w.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-3125\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_front_w-300x208.jpg\" alt=\"The X-T1 from the front\" width=\"300\" height=\"208\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_front_w-300x208.jpg 300w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_front_w-1024x709.jpg 1024w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_front_w.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-3125\" class=\"wp-caption-text\">The X-T1 from the front<\/figcaption><\/figure>\n<p>Fuji has also added a sculpted hand grip to the X-T1. &nbsp;While not as deep as other SLR-style mirrorless cameras, I found the X-T1&#8217;s grip to be incredibly comfortable. &nbsp;Some with larger hands have wished for a slightly more pronounced grip, though I have absolutely zero complaints. &nbsp;The grip conforms to the contours of my hand, and this continues to the sculpted thumb rest area on the back, which is equally comfortable. &nbsp;The rubber material that surrounds the grip has a great feel and allows for a solid hold without being sticky.<\/p>\n<p>The result is a camera that feels excellent in the hand and is comfortable to use with any of the X-series lenses. &nbsp;An additional hand grip is available for the X-T1 (as well as a vertical grip with additional shutter release) for those who want a deeper hand hold.<\/p>\n<p>The downside to the weathersealing is that the buttons have a less positive feel to them. While most of the buttons still feel just fine to me, the four-way controller buttons are quite mushy and have limited tactile feedback. &nbsp;They also sit somewhat more flush to the camera, which makes them a little harder to operate than on previous X-Series cameras.<\/p>\n<p>There has been some chatter about the SD card door, now located on the side of the camera. &nbsp;While the door doesn&#8217;t feel as solid as the rest of the camera, it is easy to open intentionally and hard to open unintentionally, which is just perfect. &nbsp;I never once accidentally opened the SD card door, and while it is simply made of plastic, the mechanism feels pretty solid. This is a total non-issue.<\/p>\n<h3>Controls and Operation<\/h3>\n<p>One of the things that has drawn me and many others to the Fuji X Series is that it doesn&#8217;t settle for simply going &#8216;retro&#8217; as a design aesthetic, but as a paradigm for the camera as a whole. &nbsp;The controls on all the X-Series cameras are somewhat old-school, but the X-T1 brings it that last little step.<\/p>\n<figure id=\"attachment_3128\" aria-describedby=\"caption-attachment-3128\" style=\"width: 300px\" class=\"wp-caption alignright\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_top.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-3128\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_top-300x196.jpg\" alt=\"All major exposure parameters are directly adjustable and visible at all times\" width=\"300\" height=\"196\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_top-300x196.jpg 300w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_top-1024x670.jpg 1024w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_top.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-3128\" class=\"wp-caption-text\">All major exposure parameters are directly adjustable and visible at all times<\/figcaption><\/figure>\n<p>With the X-T1, all of the major exposure parameters have dedicated dials that can be read even when the camera is off. &nbsp;Aperture is controlled by an aperture ring on the lens, shutter speed is controlled by a shutter speed dial on top, ISO has a dedicated ISO dial on the left top of the camera and exposure compensation is located on a dial on the right side of the camera. &nbsp;Switching any of the exposure settings into Auto makes that control automatic, which obviates the need for a mode dial. &nbsp;Simply set the shutter speed to &#8216;A&#8217; to shoot in aperture priority mode or the aperture to A to shoot in shutter priority mode. &nbsp;The only breakup to this paradigm is that when using manual settings for shutter and aperture along with Auto ISO. &nbsp;In this case the exposure compensation dial doesn&#8217;t work, and ISO is set to render metering for middle gray. &nbsp;I&#8217;m hoping Fuji eventually allows the EC dial to adjust exposure with Auto ISO.<\/p>\n<p>The new ISO dial has a lock present for all settings. To change ISO, you must first depress the center lock button while turning the dial. When I first got the camera, I found this a little annoying, but very quickly adapted to it. &nbsp;The shutter speed dial only locks while in the &#8216;A&#8217; setting, and spins without locking for all other settings.<\/p>\n<p>In addition to the ISO dial, Fuji has added some additional direct controls while keeping the overall interface relatively uncluttered. &nbsp;Underneath the ISO dial is a new rotating switch for drive selection which allows quick access to bracketing, continuous shooting, single shot, double exposure, advanced filter effects and the sweep panorama mode. &nbsp;Under the shutter speed dial is a similar switch to change metering modes. &nbsp;In all, this makes six different shooting parameters easily accessible and constantly visible and adjustable even when the camera is off. &nbsp;It&#8217;s great to be able to set the camera up in advance without having to turn it on or dive into menus. &nbsp;As a result, the camera fades into the background while shooting, allowing you to focus on capturing the image instead of fiddling with your camera.<\/p>\n<p>In addition to the direct controls, the X-T1 features two command dials (one above the grip, the other on the rear of the camera) which are used in 1\/3 step shutter speed adjustments, aperture adjustments (when using the XF 27mm or the XC zoom lenses) and zoom and navigation during image playback.<\/p>\n<figure id=\"attachment_3130\" aria-describedby=\"caption-attachment-3130\" style=\"width: 300px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_back.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-3130\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_back-300x200.jpg\" alt=\"The rear controls of the Fuji X-T1\" width=\"300\" height=\"200\" \/><\/a><figcaption id=\"caption-attachment-3130\" class=\"wp-caption-text\">The rear controls of the Fuji X-T1<\/figcaption><\/figure>\n<p>The buttons on the rear of the camera will be familiar to X-Series shooters, but due to the new direct controls, the rear actually loses a button compared to its brethren. &nbsp;It would have lost two buttons, except that the rear command dial no longer presses in (presumably due to weathersealing concerns), so a new &#8216;Focus Assist&#8217; button has been added for the same functionality. &nbsp;When pressed, the viewfinder will zoom in on the selected focus area, and in manual focus mode, a long press of this button will switch between the manual focus aids.<\/p>\n<p>Also present on the rear is the familiar &#8216;Q&#8217; button, which allows for quick settings of the JPEG parameters, image size and quality, self timer and other settings, as well as quick access to your custom setting sets.<\/p>\n<p>The four-way buttons surrounding the menu action are all programmable to a variety of functions, and there is a programmable function button on top of the camera as well as one on the front of the camera between the grip and the lens mount. &nbsp;This allows for a lot of customization for the remainder of the controls, which can be tailored to your shooting style. &nbsp;One odd thing about these customizable buttons is that most every setting in the Q menu is available to be assigned its own button, but other parameters that don&#8217;t have any easy way to access, such as Flash Exposure Compensation or Focal Length setting for adapted lenses, can&#8217;t be assigned to a button.<\/p>\n<p>The menu system for the X-T1 is the same one found on the X-E2. &nbsp;This system is easy to navigate and use, though with the continued adding of new features, it&#8217;s starting to become a little disorganized.<\/p>\n<p>While overall, I find the Fuji X-T1 is easy and enjoyable to operate for daily shooting, there are definitely some things that could be improved.<\/p>\n<ul>\n<li>The top function button has been moved from its usual place to a new location between the shutter speed and exposure compensation dials, making it harder to access.<\/li>\n<li>I found the front function button way too easy to accidentally press. &nbsp;I wish it were just about 2-3mm closer to the lens mount. &nbsp;I activated it accidentally so often I eventually reassigned it to a function that made it effectively non-functional. &nbsp;Others I&#8217;ve spoken with have not had this issue, however.<\/li>\n<li>The rear command dial is too recessed, making it harder to use than the command dials on other X-series cameras<\/li>\n<\/ul>\n<p>Next let&#8217;s talk about that big new viewfinder:<\/p>\n<h4>Continue: <a href=\"http:\/\/admiringlight.com\/blog\/review-fujifilm-x-t1\/2\/\">Viewfinder and Performance<\/a><\/h4>\n<p><!--nextpage--><\/p>\n<h3>Viewfinder and Rear Screen<\/h3>\n<p>One of the biggest feature upgrades on the X-T1 is the new electronic viewfinder (EVF). &nbsp;There&#8217;s been a lot of hype around this EVF, and in my opinion, it&#8217;s with very good reason. &nbsp;The new EVF is simply enormous. &nbsp;The 0.77x magnification of the viewfinder provides a view larger than any 35mm format or smaller camera on the market&nbsp;today. &nbsp;That big view provides excellent connection to the scene and makes manual focusing a breeze, even without the outstanding focus aids Fuji provides. &nbsp;While the new viewfinder didn&#8217;t gain any pixels compared to the X-E2, the view simply looks clearer and easier to see everything in the frame. &nbsp;Dynamic range of the finder is pretty darn good, and it&#8217;s a brighter EVF as well, which aids in composing outdoors.<\/p>\n<figure id=\"attachment_3132\" aria-describedby=\"caption-attachment-3132\" style=\"width: 300px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_flip.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-3132\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_flip-300x225.jpg\" alt=\"The X-T1's rear screen, tilted up.\" width=\"300\" height=\"225\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_flip-300x225.jpg 300w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_flip-1024x771.jpg 1024w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_flip.jpg 1195w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-3132\" class=\"wp-caption-text\">The X-T1&#8217;s rear screen, tilted up.<\/figcaption><\/figure>\n<p>The X-T1 has good refresh in low light (though it does slow down in extremely low light situations where hand-held photography is essentially useless) and provides a nice viewing experience throughout. &nbsp;There is essentially zero lag in the viewfinder as well. Other EVFs I&#8217;ve used show a slight lag between reality and the EVF, but the X-T1&#8217;s lag is completely imperceptible. The refresh rate stays high in low light as well, though at the expense of some added noise compared to earlier X-Series cameras. &nbsp;Still, I&#8217;d rather have the slightly noisier view with a high refresh in low light.<\/p>\n<p>While a full frame optical viewfinder will still look better and brighter outdoors, I prefer the X-T1&#8217;s finder to an optical viewfinder in lower light and for manual focusing. In fact, I&#8217;d say the X-T1 has the best EVF currently on the market, just edging out the also outstanding EVFs on the Olympus E-M1 and the Sony A7.<\/p>\n<p>One feature of the EVF that I haven&#8217;t seen on another camera is the rotating display in the EVF.&nbsp; When shooting in portrait orientation, all the EVF information rotates with it.&nbsp; It&#8217;s so simple and so useful that I&#8217;m amazed it hasn&#8217;t been done before.<\/p>\n<p>The X-T1 also features a 1 million dot tilting rear LCD that is crisp and clear. &nbsp;It also has one of the very best tilting mechanisms of any I&#8217;ve used. &nbsp;When in its closed position, the rear screen sits nearly flush with the rest of the body. &nbsp;It actually blends in so well that you could almost mistake it for a fixed screen. &nbsp;When tilted out, it can tilt upwards at 90 degrees (allowing for perfect viewing of ground level shots), or down at 45 degrees for overhead shooting. &nbsp;The screen feels extremely sturdy and rigid when in its tilted position. &nbsp;The rear screen isn&#8217;t touch sensitive, which is something I&#8217;d like to see added eventually to the Fuji lineup, but I hardly missed it with all the direct controls available.<\/p>\n<p>In addition to the excellent hardware, Fuji has been adding outstanding focus aids to their cameras over the past year. &nbsp;While the viewfinder and rear screen are big and detailed enough to allow for accurate manual focus in most situations, even with large aperture lenses, Fuji has two different focus aids and a great new feature to help with both of them.<\/p>\n<h4>Focus aids<\/h4>\n<figure id=\"attachment_3136\" aria-describedby=\"caption-attachment-3136\" style=\"width: 300px\" class=\"wp-caption alignright\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/dualview.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-3136\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/dualview-300x200.jpg\" alt=\"The X-T1's Dual View, showing a magnified view with focus peaking in blue\" width=\"300\" height=\"200\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/dualview-300x200.jpg 300w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/dualview-1024x682.jpg 1024w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/dualview.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-3136\" class=\"wp-caption-text\">The X-T1&#8217;s Dual View, showing a magnified view with focus peaking in blue<\/figcaption><\/figure>\n<p>Fuji added focus peaking to the X lineup last summer, and it sees further refinement in the X-T1. In addition to the white outline that has always been present, you can now choose to outline the in-focus areas of your image with blue or red highlights as well. &nbsp;Focus peaking is a little more visible this time around. &nbsp;I actually prefer the slightly less visible peaking found in the X-E2, however. &nbsp;The reason for this is that the peaking in the X-E2 is slightly more precise&#8230;only the absolutely focused areas are highlighted. The X-T1&#8217;s peaking is now extremely similar to the algorithm Sony uses&#8230;it&#8217;s easier to see but a little less precise.<\/p>\n<p>The X-T1 also has Fuji&#8217;s outstanding digital split-image focusing aid, which creates four bands that align when the image is in focus, much like a split prism aid on SLRs. &nbsp;This continues to work quite well on subjects with vertical lines, though it&#8217;s a little less effective for focusing on people or smooth subjects.<\/p>\n<p>To make these focus aids even more helpful, Fuji takes advantage of the big screen real estate and the large viewfinder to provide a unique new feature: Dual View. &nbsp;Dual view shrinks the main view a bit and places a second magnified view to the right. &nbsp;The enlarged view can also utilize any of the manual focus aids. &nbsp;It&#8217;s really a brilliant idea, and it&#8217;s executed very well. &nbsp;You can see the dual view implementation (on the rear screen) in the image above.<\/p>\n<p>As good as these focus aids are, I found I honestly rarely needed them with the big bright viewfinder. &nbsp;I shot the majority of my manual focus shots simply using the viewfinder in its standard mode.<\/p>\n<h3>Autofocus and Performance<\/h3>\n<p>The X-T1, like nearly every camera released nowadays, proclaims it has the &#8216;World&#8217;s Fastest Autofocus.&#8221; &nbsp;I&#8217;m not sure about that, but the AF performance is quite decent. &nbsp;Largely, the performance is similar to the X-E2. &nbsp;The 9 center points utilize a hybrid phase detection (PDAF) and contrast detection algorithm, while the remaining 40 outer points use contrast-detect autofocus (CDAF) only. &nbsp;When phase detection is used, the Fuji lenses focus extremely quickly&#8230;indeed as fast as any other camera I&#8217;ve used. &nbsp;When using contrast detection, the speed is still reasonably fast, though a step behind the fastest Micro 4\/3 and Sony cameras.<\/p>\n<figure id=\"attachment_3138\" aria-describedby=\"caption-attachment-3138\" style=\"width: 222px\" class=\"wp-caption alignright\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/chloe_walking.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-3138\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/chloe_walking-222x300.jpg\" alt=\"Moving portrait - Taken with the Fuji 55-200mm at 200mm, while she walked directly at me. \" width=\"222\" height=\"300\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/chloe_walking-222x300.jpg 222w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/chloe_walking-760x1024.jpg 760w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/chloe_walking.jpg 766w\" sizes=\"auto, (max-width: 222px) 100vw, 222px\" \/><\/a><figcaption id=\"caption-attachment-3138\" class=\"wp-caption-text\">Moving portrait &#8211; Taken with the Fuji 55-200mm at 200mm, while she walked directly at me.<\/figcaption><\/figure>\n<p>Overall, I found single shot performance to be plenty fast enough for my uses. &nbsp;I did find the X-T1 seemed to use the ultra-fast phase detection focusing a bit more often than the X-E2, and in more lighting situations. &nbsp;As a result, the camera does feel a little snappier than the X-E2 in daily use, though it isn&#8217;t a huge difference.<\/p>\n<p>The X-T1 does make strides in the continuous AF department. &nbsp;I found the X-E2 relatively capable when using continuous AF outside, though that capability was limited to the 3 frame per second burst mode. &nbsp;The X-T1 allows for predictive continuous autofocus at a full 8 frames per second. &nbsp;In my testing, the X-T1 does an excellent job tracking typical moving people or animals when outdoors. &nbsp;I did several tests with my daughter walking and running at me, and the X-T1 handled these situations with ease. &nbsp;One issue to be aware of, is that the viewfinder blackout in burst mode is a little longer than with a pro-grade SLR. &nbsp;As such, it can be challenging to keep your focus point on the subject when rattling off long bursts at 8 fps.<\/p>\n<p>Indoors, I found the continuous autofocus to be a little less capable, and it also wasn&#8217;t as successful when shooting cars going 50 mph right at me. &nbsp;So while I wouldn&#8217;t recommend the X-T1 for shooting motorsports or something like high school basketball, it should do fine for outdoor sports or shots of your kids running around the back yard.<\/p>\n<p>Like the X-E2 before it, the X-T1 is also a very responsive camera. &nbsp;The camera turns on quickly (especially with high performance mode on), there is short shutter delay, and there&#8217;s no waiting on the camera when changing settings or reviewing images. &nbsp;When used with a fast SD card, file writing times are extremely fast. &nbsp;In fact, the X-T1 is the first camera to support the new UHS-II cards, with write speeds up to 250 MB\/sec. &nbsp;The fast write times coupled with a larger buffer allow some expanded shooting when firing a burst as well. &nbsp;The X-T1 can rattle off 21 frames in RAW mode before slowing down when used with my PNY 90MB\/sec UHS-I card. &nbsp;A 22nd frame comes very shortly after before the camera slows down to around 1.5 frames per second. &nbsp;In large fine JPEG, about 35 frames can be fired before it slows down to around 3-4 frames per second. &nbsp;That&#8217;s simply excellent, and a big improvement over the 8 frames in RAW that the X-E2 can manage.<\/p>\n<h4>Continue: <a href=\"http:\/\/admiringlight.com\/blog\/review-fujifilm-x-t1\/3\/\">Key Features<\/a><\/h4>\n<p><!--nextpage--><\/p>\n<h3>Wi-Fi<\/h3>\n<figure id=\"attachment_3141\" aria-describedby=\"caption-attachment-3141\" style=\"width: 169px\" class=\"wp-caption alignright\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_wifi.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-3141\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_wifi-169x300.jpg\" alt=\"The new remote-control app for the X-T1\" width=\"169\" height=\"300\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_wifi-169x300.jpg 169w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_wifi-576x1024.jpg 576w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_wifi.jpg 640w\" sizes=\"auto, (max-width: 169px) 100vw, 169px\" \/><\/a><figcaption id=\"caption-attachment-3141\" class=\"wp-caption-text\">The new remote-control app for the X-T1<\/figcaption><\/figure>\n<p>The Fuji X-T1 is the fourth Fujifilm X-Series camera to feature Wi-Fi connectivity, but it&#8217;s the first one to allow for remote shooting. &nbsp;The X-T1 sets up similarly to the way the other Fuji cameras do&#8230;a wireless network is created, and you simply need to connect your smartphone or tablet to the network and open the Fujifilm Remote App. &nbsp;The previous Camera App will not work with the X-T1 (and frustratingly, the new app won&#8217;t work with the older cameras). &nbsp;The new app provides all the same functionality as the old, with the ability to perform geotagging of images and transfer images from the camera to your mobile device.<\/p>\n<p>The new app&#8217;s biggest feature, though, is the ability to remotely control the camera. Despite this being Fuji&#8217;s first attempt at remote camera control, they&#8217;ve done a great job. &nbsp;All the major functions of the camera can be changed from the app, including ISO, shutter speed, aperture, exposure compensation, focus point, and even film simulation, macro mode, flash mode and self timer. &nbsp;Continuous bursts aren&#8217;t possible, but for regular shooting, it does a really nice job. &nbsp;The delay between the camera and the view on your phone is relatively short, but there is a small lag. &nbsp;While there&#8217;s still room for some added capabilities, Fuji has done well in this initial implementation. &nbsp;It would be nice to see this capability filter down to the X-E2, X-M1 and X-A1 in future firmware updates, given they share the same processor and have Wi-Fi capabilities.<\/p>\n<h3>Intervalometer<\/h3>\n<p>The X-T1 is the first Fuji camera to have a built-in intervalometer (though Fuji has said they will add it to the X-E2 with a future firmware update). &nbsp;The intervalometer can be accessed through the menu and allows you to set a time interval as short as 1 second and as long as 24 hours. You can set the number of frames to be captured (from 1 to 999). &nbsp;The shooting can start immediately or at a time up to 24 hours later. &nbsp;One nice touch to the interval shooting is a countdown timer, which shows in the upper left corner of the screen to let you know how much time is remaining until the next shot. &nbsp;You can cancel shooting at any time.<\/p>\n<figure id=\"attachment_3147\" aria-describedby=\"caption-attachment-3147\" style=\"width: 300px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/intervalometer.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-3147\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/intervalometer-300x202.jpg\" alt=\"The X-T1's Intervalometer Settings\" width=\"300\" height=\"202\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/intervalometer-300x202.jpg 300w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/intervalometer-1024x692.jpg 1024w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/intervalometer.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-3147\" class=\"wp-caption-text\">The X-T1&#8217;s Intervalometer Settings<\/figcaption><\/figure>\n<p>While multi-day time-lapse shoots with mirrorless cameras typically require either multiple batteries or an AC connection, Fuji has done its best to maximize battery life when shooting with intervals longer than 30 seconds. &nbsp;In these situations, the camera actually shuts itself down between shots. &nbsp;The camera turns itself on 5 seconds before a shot and stays on 5-7 seconds after the shot before shutting down again. Presumably, only the timer is running in the background, saving tremendous amounts of power. &nbsp;While the savings are somewhat minimal with a 30 second interval, the energy savings will be huge for longer intervals.<\/p>\n<h3>Other Notable Features<\/h3>\n<ul>\n<li>I&#8217;ve written at length about the excellent In-Camera RAW conversion on Fuji bodies, but as its been a staple of the Fuji X series for some time, I won&#8217;t spend a significant amount of time on it here.&nbsp; The full capabilities of this conversion feature are still present and still just as powerful on the X-T1.&nbsp; Any RAW file can be pushed, pulled, adjusted for color, white balance, film simulation, highlight and shadow rolloff and more.&nbsp; It&#8217;s very useful for JPEG conversions when sharing with a mobile device over WiFi, or simply when you like the in-camera JPEG engine.<\/li>\n<li>The X-T1 is the first X-Series camera since the X-Pro 1 to feature a PC sync port for external flash strobes, which is found under a screw in cover on the front of the body.<\/li>\n<li>Like the other X-Series bodies, the X-T1 has eight &#8216;Advanced Filter&#8217; modes such as Toy Camera, Miniature and multiple Selective Color modes that isolate a single color.&nbsp; These work decently, though many of them are pretty heavy-handed. I&#8217;d imagine the target demographic for the X-T1 is unlikely to use these often.<\/li>\n<li>Other modes like multiple exposure and panorama stitching are also present and work relatively well, but the panorama stitching is better done with a more deliberate setup and external stitching software.<\/li>\n<li>It is worth noting that exposure bracketing is still limited to +\/- one stop for 3 frames. Why Fuji continues to have this limit is baffling given the rest of the evolution of these cameras.&nbsp; Hopefully this is finally addressed via firmware update soon.<\/li>\n<\/ul>\n<h4>Continue:<a href=\"http:\/\/admiringlight.com\/blog\/review-fujifilm-x-t1\/4\/\"> Image Quality<\/a><\/h4>\n<p><!--nextpage--><\/p>\n<h3>Image Quality<\/h3>\n<h4>Color and Dynamic Range<\/h4>\n<figure id=\"attachment_3145\" aria-describedby=\"caption-attachment-3145\" style=\"width: 195px\" class=\"wp-caption alignright\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/justice_night.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-3145\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/justice_night-195x300.jpg\" alt=\"Justice - Fujifilm X-T1 with Fujinon XF 14mm f\/2.8 @ ISO 200\" width=\"195\" height=\"300\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/justice_night-195x300.jpg 195w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/justice_night-667x1024.jpg 667w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/justice_night.jpg 673w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/a><figcaption id=\"caption-attachment-3145\" class=\"wp-caption-text\">Justice &#8211; Fujifilm X-T1 with Fujinon XF 14mm f\/2.8 @ ISO 200<\/figcaption><\/figure>\n<p>Unlike most cameras, the image quality on the X-T1 is actually one of the least interesting things about it. &nbsp;Of course, I&#8217;m not saying that as a bad thing necessarily, just that the X-Trans II sensor is the same one found in the X-E2 and only slightly different from the one found in all the rest of the X-Series cameras. &nbsp;If you like the image quality from those cameras, you&#8217;ll like the X-T1 just as much. &nbsp;If you don&#8217;t like it, there&#8217;s nothing new to see here.<\/p>\n<p>The 16 megapixel sensor in the Fuji X-T1 has a very wide dynamic range, allowing you to capture plenty of detail in the highlights and shadows even in high contrast situations. &nbsp;It&#8217;s rare that a situation arises that will truly exceed the dynamic range of the sensor.<\/p>\n<p>Likewise, Fuji has always excelled at color, with accurate white balance and excellent color response. &nbsp;RAW files tend to be muted upon import, but take adjustment extremely well. &nbsp;JPEG files have among the best color of any JPEG engine in the business. &nbsp;Currently, the RAW conversion situation is limited for the X-T1. &nbsp;Iridiant Developer on the Mac and Photo Ninja (Mac and PC) both have support for the X-T1 as of this writing. Adobe has released a release candidate of ACR 8.4, and in the color department, they&#8217;ve given a big boost to Fuji shooters. &nbsp;Adobe&#8217;s color profiles for the X-Series have always been lacking a bit&#8230;making reds orange and such (which is why I&#8217;ve always used a custom color profile from X-Rite&#8217;s Color Checker Passport). With ACR 8.4 (and presumably Lightroom 5.4), Adobe now includes camera profiles that mimic the film simulations on Fuji cameras. &nbsp;These help the color in ACR quite a bit.<\/p>\n<h4>Noise<\/h4>\n<figure id=\"attachment_3146\" aria-describedby=\"caption-attachment-3146\" style=\"width: 198px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/chloe_ballet1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-3146 \" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/chloe_ballet1-198x300.jpg\" alt=\"Ballet - Fujifilm X-T1 with Fujinon XF 55-200mm @ ISO 2500\" width=\"198\" height=\"300\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/chloe_ballet1-198x300.jpg 198w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/chloe_ballet1-677x1024.jpg 677w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/chloe_ballet1.jpg 683w\" sizes=\"auto, (max-width: 198px) 100vw, 198px\" \/><\/a><figcaption id=\"caption-attachment-3146\" class=\"wp-caption-text\">Ballet &#8211; Fujifilm X-T1 with Fujinon XF 55-200mm @ ISO 2500<\/figcaption><\/figure>\n<p>The X-T1 has very good noise control, with JPEG images showing very low noise up to ISO 3200 and even somewhat usable images up to ISO 25,600. &nbsp;The X-T1 includes support for ISO 51,200 for the first time, but it needs to be enabled from the menu and assigned to one of the H settings on the ISO dial. &nbsp;In my opinion: don&#8217;t bother. &nbsp;ISO 51,200 is frankly just a checkmark on the spec sheet, as it&#8217;s definitely a step too far on the X-T1. &nbsp;Files at that ISO show visible banding and blotchy noise throughout.<\/p>\n<p>RAW files show a little more noise than the JPEGs but also much more detail. &nbsp;Noise remains quite low up to ISO 1600 and very usable at ISO 3200 and 6400. &nbsp;I rarely worry about the ISO I&#8217;m shooting with any of these cameras, as quality shots can be had at any of the native ISOs.<\/p>\n<p>It is worth noting that like all the X-Trans camera, the X-T1 does overstate ISO by about 1\/3 to 1\/2 stop.<\/p>\n<p>Overall image quality on the X-T1 is right in line with the other X-Series cameras, and even though this sensor and its variations are around two years old, it still compares very favorably with any other APS-C sensor. As I&#8217;ve stated before about other X-Series cameras, I feel the low noise, great color and excellent dynamic range as well as an excellent tonal response really give the images from the X-T1 an intangible depth.<\/p>\n<h4>JPEG Quality<\/h4>\n<p>As I mentioned already, Fuji has some of the best JPEGs in the industry. &nbsp;X-T1 JPEG output is low in artifacts and has good detail and excellent dynamic range, especially when using more gentle highlight and shadow settings.<\/p>\n<p>Fuji has unique &#8216;film simulations&#8217; that seek to emulate some of their more popular films, such as Velvia, Provia, Astia and so on. &nbsp;I generally shoot with the Pro Neg High film simulation (though generally in RAW), and change as needed when processing JPEGs in camera. &nbsp;There are also multiple black and white settings with color filter effects. &nbsp;In all, it&#8217;s quite easy to get the look you are after out of camera.<\/p>\n<p>Fuji is still the only camera company where I will sometimes prefer a JPEG I&#8217;ve made in camera to a processed RAW image, and that&#8217;s a nice thing to fall back on. &nbsp;While I still prefer the flexibility and added benefits of shooting RAW, if you are a JPEG shooter, the X-T1, as well as any other Fuji camera, should be on your short list.<\/p>\n<h3>Video<\/h3>\n<p>As I noted at the beginning of the review, I am not a videographer and don&#8217;t feel fully qualified to discuss the ins and outs of video shooting and video quality. &nbsp;However, I know enough to tell you this: While video quality appears to be quite nice to my eye, if you are buying a camera and plan to use video often for serious work, don&#8217;t buy the X-T1. &nbsp;As I mentioned, quality is fine for general shooting, but there are woefully inadequate video settings and controls. &nbsp;You have the choice of shooting 1080p 60 or 30 fps and 720p 60 or 30fps, and beyond that, there&#8217;s not much else to choose. Manual control of video doesn&#8217;t really exist. &nbsp;Fuji has added a 1\/8&#8243; mic input jack that can be used for audio recording but make no mistake: This is a stills camera that can shoot some nice video if you have a need to capture a moment, but don&#8217;t expect professional video production work out of the X-T1.<\/p>\n<h3>Flash<\/h3>\n<p>The X-T1 does not have an integrated pop-up flash like the X-E1 and X-E2, but rather opts to provide a clip-on flash unit. &nbsp;The supplied flash is actually pretty nice. &nbsp;When not in use, it folds down, keeping a low profile on the camera, and when raised into operational range, the flash sits significantly higher than other pop-up or clip on flashes, providing a little more flattering light than flashes that are closer to the lens.<\/p>\n<p>It&#8217;s not a crazy powerful lens, but it does a good job in a pinch and works really well for very close up work with the 60mm Macro lens. &nbsp;It&#8217;s nice to have in your bag when you need it.<\/p>\n<figure id=\"attachment_3149\" aria-describedby=\"caption-attachment-3149\" style=\"width: 620px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_popup.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-3149\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_popup-1024x652.jpg\" alt=\"The clip-on flash for the X-T1 in its raised (left) and lowered (right) position\" width=\"620\" height=\"394\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_popup-1024x652.jpg 1024w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_popup-300x191.jpg 300w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xt1_popup.jpg 1200w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-3149\" class=\"wp-caption-text\">The clip-on flash for the X-T1 in its raised (left) and lowered (right) position<\/figcaption><\/figure>\n<h3>Other Items of Note:<\/h3>\n<ul>\n<li>Fuji continues to put the tripod mount off-axis and very close to the battery door, so unless you are shooting with the MHG-XT battery grip or a custom tripod plate, you won&#8217;t be able to access the battery door when the camera is mounted on a tripod. &nbsp;At least the SD card is now on the side.<\/li>\n<li>The X-Trans sensor can have some odd painterly artifacts from time to time depending on the RAW converter you use. &nbsp;This has been minimized considerably as RAW conversion has matured with the X-Trans demosaicing algorithms, but Adobe ACR still shows these artifacts in certain circumstances. &nbsp;Many of the RAW files for the images you see in this review were done in Photo Ninja 1.2.3, which does an absolutely outstanding job with the X-T1 RAW files. &nbsp;I did not see these watercolor artifacts using Photo Ninja at all, even in situations that were prime for it in other converters. &nbsp;Photo Ninja does a great job extracting tons of detail while suppressing any artifacts. &nbsp;Adobe take note!<\/li>\n<li>The viewfinder diopter adjustment, which is located on the left side of the viewfinder, is a little too easy to knock. &nbsp;I accidentally changed the diopter setting two or three times in the week I shot with the camera.<\/li>\n<li>Speaking of the viewfinder, Fuji has added back the View Mode button, after removing it in the X-E2. &nbsp;There is also a new setting that allows you to shoot with the EVF only and uses the eye sensor so that it only turns on when in use, thus saving battery. &nbsp;This mode exists on the X-E2, but unlike the X-E2, the X-T1 will still play back on the rear LCD if you press the play button.<\/li>\n<li>The ISOs outside the native range are still JPEG only, including the new ISO 100 (L) setting. &nbsp;I don&#8217;t understand why Fuji can&#8217;t simply provide extended ISOs for RAW like every other manufacturer.<\/li>\n<\/ul>\n<h4>Continue: <a href=\"http:\/\/admiringlight.com\/blog\/review-fujifilm-x-t1\/5\/\">Conclusion and Image Samples<\/a><\/h4>\n<p><!--nextpage--><\/p>\n<h3>Conclusion<\/h3>\n<h4>Pros<\/h4>\n<ul>\n<li>Ruggedly built body is weather-sealed against dust and moisture and feels incredibly solid in the hand<\/li>\n<li>Hand grip is extremely comfortable to both hold the camera and shoot<\/li>\n<li>Outstanding manual control dials provide direct access to all major shooting parameters without turning the camera on<\/li>\n<li>The X-T1 is a responsive camera with quick startup and speedy card writing speeds, along with short shutter lag<\/li>\n<li>Autofocus is quite good in single shot mode, providing very fast AF in good light and decent speed indoors (though still a step behind some other mirrorless cameras)<\/li>\n<li>Continuous Autofocus is the best on any mirrorless camera I&#8217;ve used, providing accurate predictive AF during 8 frame per second burst shooting<\/li>\n<li>Simply gorgeous Electronic Viewfinder provides an absolutely huge view with good clarity and extremely low lag.<\/li>\n<li>Image quality is excellent: outstanding color and dynamic range and very good noise control<\/li>\n<li>Tilting rear screen is bright and clear and the tilting mechanism is very solidly built<\/li>\n<li>WiFi implementation is the best yet on a Fuji camera, offering the same image transfer functions but adding very well done remote control capabilities<\/li>\n<li>Built-in intervalometer provides easy setup and outstanding power management by shutting down between exposures<\/li>\n<li>Excellent manual focus aids including focus peaking, digital split image and the new Dual View feature that allows you to view the full scene and an enlarged crop simultaneously<\/li>\n<li>A deep buffer allows nearly 3 full seconds of burst shooting at 8 frames per second in RAW<\/li>\n<\/ul>\n<h4>Cons<\/h4>\n<ul>\n<li>Some of the buttons, especially the four-way controller buttons, provide poor tactile feedback and feel mushy to the touch<\/li>\n<li>The rear command dial is recessed too far and is difficult to turn<\/li>\n<li>The front and top programmable function buttons are poorly placed. &nbsp;The front button is too easy to activate accidentally and the top button is hard to reach in between the shutter speed and exposure compensation dials<\/li>\n<li>Bracketing is still limited to a paltry 3 frames one stop apart<\/li>\n<li>Video mode is severely lacking in control and settings<\/li>\n<li>Can&#8217;t assign certain controls to the programmable function buttons, such as Flash Exposure Compensation<\/li>\n<li>ISOs above 6400 and below 200 are still only available in JPEG<\/li>\n<\/ul>\n<p>The X-T1 has received more hype than any other Fujifilm camera release. &nbsp;While it certainly isn&#8217;t the end-all-be-all of cameras, it is definitely the most complete camera Fuji has put out, and it deserves to be in the conversation with other similarly well executed cameras such as the Olympus OM-D E-M1. &nbsp;In the past year, Fuji has made incredible strides in bringing the X-Series into maturity, and the X-T1 is really the culmination of those efforts.<br \/>\n<iframe loading=\"lazy\" style=\"border: none;\" src=\"http:\/\/mer54715.datafeedfile.com\/widget\/aff_widget_prdt_generate-2.0.php?aff_num=13081&amp;aff_net=1&amp;size=180x150&amp;mode=s&amp;bucket_num=6258&amp;link_target=y&amp;sid=\" width=\"180\" height=\"150\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" align=\"right\"><\/iframe><br \/>\nIt&#8217;s not a perfect camera by any means. &nbsp;Some of the dials and buttons are fiddly to operate, and some features are still woefully underpowered, such as auto-exposure bracketing. &nbsp;It also still trails many of its competitors in single shot autofocus speed in many circumstances. &nbsp;Still, the camera gets far more right than it gets wrong.<\/p>\n<p>The X-T1 is an immensely enjoyable camera to shoot with. &nbsp;The grip is comfortable, the major exposure controls are all easily accessed and constantly visible. &nbsp;The EVF is, in my opinion, the best on the market currently (though the one in the Olympus E-M1 is close). &nbsp;Fuji has also made the X-T1 a responsive camera. &nbsp;Everything reacts quickly, write speeds are blazing and all the delays that plagued early X-series cameras are now gone. &nbsp;The X-T1&#8217;s continuous autofocus is something for Fuji to be proud of.<\/p>\n<p>Overall, the X-T1 is an excellent camera that competes well with any of the other top-tier mirrorless cameras on the market. &nbsp;It&#8217;s a joy to use and provides image quality that is outstanding. &nbsp;While there are still some improvements that can be made, Fuji has created a mature and eminently capable camera with the X-T1. &nbsp;It&#8217;s easily the best X-Series camera to date.<\/p>\n<h3>Image Samples<\/h3>\n<p><em>Click on an image to enlarge<\/em><\/p>\n<figure id=\"attachment_3118\" aria-describedby=\"caption-attachment-3118\" style=\"width: 620px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/02\/beacon_building.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-3118\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/02\/beacon_building-1024x817.jpg\" alt=\"The Beacon Building - Fujifilm X-T1 with Fujinon XF 14mm f\/2.8 @ f\/8, ISO 200\" width=\"620\" height=\"494\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/02\/beacon_building-1024x817.jpg 1024w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/02\/beacon_building-300x239.jpg 300w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/02\/beacon_building.jpg 1293w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-3118\" class=\"wp-caption-text\">The Beacon Building &#8211; Fujifilm X-T1 with Fujinon XF 14mm f\/2.8 @ f\/8, ISO 200<\/figcaption><\/figure>\n<figure id=\"attachment_3153\" aria-describedby=\"caption-attachment-3153\" style=\"width: 620px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/peace_night.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-3153\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/peace_night-678x1024.jpg\" alt=\"Peace - Fujifilm X-T1 with Fujinon XF 14mm f\/2.8 @ ISO 200\" width=\"620\" height=\"936\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/peace_night-678x1024.jpg 678w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/peace_night-198x300.jpg 198w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/peace_night.jpg 684w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-3153\" class=\"wp-caption-text\">Peace &#8211; Fujifilm X-T1 with Fujinon XF 14mm f\/2.8 @ ISO 200<\/figcaption><\/figure>\n<figure id=\"attachment_3150\" aria-describedby=\"caption-attachment-3150\" style=\"width: 620px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xander_crawl.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-3150\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xander_crawl-1024x775.jpg\" alt=\"Crawiling - - Fujifilm X-T1 with Fujinon XF 23mm f\/1.4 @ ISO 2500 (continuous AF)\" width=\"620\" height=\"469\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xander_crawl-1024x775.jpg 1024w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xander_crawl-300x227.jpg 300w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xander_crawl.jpg 1362w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-3150\" class=\"wp-caption-text\">Crawiling &#8211; &#8211; Fujifilm X-T1 with Fujinon XF 23mm f\/1.4 @ ISO 2500 (continuous AF)<\/figcaption><\/figure>\n<figure id=\"attachment_3116\" aria-describedby=\"caption-attachment-3116\" style=\"width: 620px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/02\/rooming_house.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-3116\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/02\/rooming_house-1024x699.jpg\" alt=\"The Rooming House - Fujifilm X-T1 with Fujinon XF 23mm f\/1.4 @ ISO 200\" width=\"620\" height=\"423\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/02\/rooming_house-1024x699.jpg 1024w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/02\/rooming_house-300x204.jpg 300w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/02\/rooming_house.jpg 1416w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-3116\" class=\"wp-caption-text\">The Rooming House &#8211; Fujifilm X-T1 with Fujinon XF 23mm f\/1.4 @ ISO 200<\/figcaption><\/figure>\n<figure id=\"attachment_3154\" aria-describedby=\"caption-attachment-3154\" style=\"width: 620px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/jimmy_johns.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-3154\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/jimmy_johns-1024x882.jpg\" alt=\"Jimmy Johns - Fujifilm X-T1 with Fujinon XF 14mm f\/2.8 @ ISO 200\" width=\"620\" height=\"534\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/jimmy_johns-1024x882.jpg 1024w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/jimmy_johns-300x258.jpg 300w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/jimmy_johns.jpg 1197w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-3154\" class=\"wp-caption-text\">Jimmy Johns &#8211; Fujifilm X-T1 with Fujinon XF 14mm f\/2.8 @ ISO 200<\/figcaption><\/figure>\n<figure id=\"attachment_3115\" aria-describedby=\"caption-attachment-3115\" style=\"width: 620px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/02\/city_closed.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-3115\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/02\/city_closed-1024x697.jpg\" alt=\"The City is Closed - Fujifilm X-T1 with Fujinon XF 18-55mm f\/2.8-4 @ 20mm, f\/9, ISO 400\" width=\"620\" height=\"422\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/02\/city_closed-1024x697.jpg 1024w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/02\/city_closed-300x204.jpg 300w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/02\/city_closed.jpg 1416w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-3115\" class=\"wp-caption-text\">The City is Closed &#8211; Fujifilm X-T1 with Fujinon XF 18-55mm f\/2.8-4 @ 20mm, f\/9, ISO 400<\/figcaption><\/figure>\n<figure id=\"attachment_3155\" aria-describedby=\"caption-attachment-3155\" style=\"width: 620px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xander_steelers.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-3155\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xander_steelers-678x1024.jpg\" alt=\"Steeler Baby - Fujifilm X-T1 with Carl Zeiss 90mm f\/2.8 Sonnar @ ISO 200\" width=\"620\" height=\"936\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xander_steelers-678x1024.jpg 678w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xander_steelers-198x300.jpg 198w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/xander_steelers.jpg 684w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-3155\" class=\"wp-caption-text\">Steeler Baby &#8211; Fujifilm X-T1 with Carl Zeiss 90mm f\/2.8 Sonnar @ ISO 200<\/figcaption><\/figure>\n<figure id=\"attachment_3159\" aria-describedby=\"caption-attachment-3159\" style=\"width: 620px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/long_icicles.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-3159\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/long_icicles-678x1024.jpg\" alt=\"Long Icicles - Fujifilm X-T1 with Fujinon XF 55-200mm f\/3.5-4.8 @ ISO 200\" width=\"620\" height=\"936\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/long_icicles-678x1024.jpg 678w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/long_icicles-198x300.jpg 198w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/long_icicles.jpg 684w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-3159\" class=\"wp-caption-text\">Long Icicles &#8211; Fujifilm X-T1 with Fujinon XF 55-200mm f\/3.5-4.8 @ ISO 200<\/figcaption><\/figure>\n<figure id=\"attachment_3152\" aria-describedby=\"caption-attachment-3152\" style=\"width: 620px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/civiccenter_night.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-3152\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/civiccenter_night-1024x723.jpg\" alt=\"Scioto Mile at Night - Fujifilm X-T1 with Fujinon XF 35mm f\/1.4 @ ISO 200\" width=\"620\" height=\"437\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/civiccenter_night-1024x723.jpg 1024w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/civiccenter_night-300x211.jpg 300w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/civiccenter_night.jpg 1416w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-3152\" class=\"wp-caption-text\">Scioto Mile at Night &#8211; Fujifilm X-T1 with Fujinon XF 35mm f\/1.4 @ ISO 200<\/figcaption><\/figure>\n<figure id=\"attachment_3160\" aria-describedby=\"caption-attachment-3160\" style=\"width: 620px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/curves.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-3160\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/curves-1024x697.jpg\" alt=\"Curves - Fujifilm X-T1 with Fujinon XF 18-55mm f\/2.8-4 @ ISO 200\" width=\"620\" height=\"422\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/curves-1024x697.jpg 1024w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/curves-300x204.jpg 300w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/curves.jpg 1416w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-3160\" class=\"wp-caption-text\">Curves &#8211; Fujifilm X-T1 with Fujinon XF 18-55mm f\/2.8-4 @ ISO 200<\/figcaption><\/figure>\n<figure id=\"attachment_3151\" aria-describedby=\"caption-attachment-3151\" style=\"width: 620px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/chloe_run.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-3151\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/chloe_run-677x1024.jpg\" alt=\"Running - Fujifilm X-T1 with Fujinon XF 55-200mm f\/3.5-4.8 (continuous AF)\" width=\"620\" height=\"937\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/chloe_run-677x1024.jpg 677w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/chloe_run-198x300.jpg 198w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/chloe_run.jpg 683w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-3151\" class=\"wp-caption-text\">Running &#8211; Fujifilm X-T1 with Fujinon XF 55-200mm f\/3.5-4.8 @ ISO 400 (continuous AF)<\/figcaption><\/figure>\n<figure id=\"attachment_3156\" aria-describedby=\"caption-attachment-3156\" style=\"width: 620px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/darkmorning_river.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-3156\" src=\"http:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/darkmorning_river-1024x647.jpg\" alt=\"Early Morning River - Fujifilm X-T1 with Fujinon XF 23mm f\/1.4 @ ISO 200\" width=\"620\" height=\"391\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/darkmorning_river-1024x647.jpg 1024w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/darkmorning_river-300x189.jpg 300w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2014\/03\/darkmorning_river.jpg 1416w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-3156\" class=\"wp-caption-text\">Early Morning River &#8211; Fujifilm X-T1 with Fujinon XF 23mm f\/1.4 @ ISO 200<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Fuji has been releasing a host of new camera bodies for their X System, with a total of four new cameras in the past year. &nbsp;The latest breaks from the rangefinder-style tradition of the X-Series and brings us a mini-SLR style mirrorless camera in the X-T1. &nbsp;While it shares many of its features and capabilities [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"cybocfi_hide_featured_image":"","_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"enabled":false},"version":2},"_links_to":"","_links_to_target":""},"categories":[3],"tags":[13,225,9,8,348],"class_list":["post-3123","post","type-post","status-publish","format-standard","hentry","category-reviews","tag-csc","tag-fuji","tag-mirrorless","tag-review","tag-xt-1"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p28RGq-On","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/posts\/3123","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/comments?post=3123"}],"version-history":[{"count":23,"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/posts\/3123\/revisions"}],"predecessor-version":[{"id":4179,"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/posts\/3123\/revisions\/4179"}],"wp:attachment":[{"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/media?parent=3123"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/categories?post=3123"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/tags?post=3123"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}