{"id":7811,"date":"2018-11-11T11:30:22","date_gmt":"2018-11-11T16:30:22","guid":{"rendered":"https:\/\/admiringlight.com\/blog\/?p=7811"},"modified":"2024-09-05T16:14:25","modified_gmt":"2024-09-05T21:14:25","slug":"review-sigma-135mm-f-1-8-dg-hsm-art-sony-e-mount","status":"publish","type":"post","link":"https:\/\/admiringlight.com\/blog\/review-sigma-135mm-f-1-8-dg-hsm-art-sony-e-mount\/","title":{"rendered":"Review: Sigma 135mm f\/1.8 DG HSM Art (Sony E Mount)"},"content":{"rendered":"\n

Sigma has recently jumped into the full-frame E-Mount system by creating new native E-Mount versions of many of their very well received Art series lenses. Today I’m looking at one of those well regarded lenses, the Sigma 135mm f\/1.8 DG Art for Sony E-Mount. The Sigma 135mm f\/1.8 is a monster of a lens, with big size, big weight, and top-notch optics.<\/p>\n\n\n\n

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The Sigma 135mm f\/1.8 Art on the Sony A7 III<\/figcaption><\/figure>\n\n\n\n

Construction and Handling<\/h3>\n\n\n\n

The Sigma 135mm f\/1.8 is a big lens at over 5 inches long and weighs two and a half pounds. This is one giant hunk of glass, metal and plastic and the weight is felt when carrying it for an extended period of time. The 135mm f\/1.8 is constructed of a mix of high quality metals and plastics, with a metal mount. The body has a predominantly plastic exterior, with the portion of the barrel from the focus scale to the mount in metal. A seam halfway up the metal portion denotes the area where presumably the same lens parts are used for all mounts, and the mount-specific part of the barrel begins.<\/p>\n\n\n\n

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Sigma 135mm f\/1.8 Art<\/figcaption><\/figure>\n\n\n\n

This piece that extends to the mount narrows considerably, and this provides clearance for your fingers to fit around the camera grip despite the overall chunky nature of the lens. The overall effect is one of solid quality. There are two switches on the side of the lens: a focus limiter that switches between the full focus range, 0.875m to 1.5m, and 1.5m to infinity, and the AF\/MF toggle switch. Both switches click with a nice solid action.<\/p>\n\n\n\n

The main control on the lens is the enormous rubberized focus ring, which is very well damped and very smooth to operate. Because Sigma is not really retooling these Art series lenses specifically for the E-mount, they are among the very few E-mount autofocus lenses that have a true mechanically coupled focus mechanism. The focus ring directly focuses the lens elements, and there’s a focus scale on the lens as well.<\/p>\n\n\n\n

The lens comes with a substantial lens hood made of high quality plastic that shields the front element from any stray light.  Like most Sigma lens hoods, the hood stays very tight to the body when reversed, which thankfully doesn’t substantially increase the lens’s rather substantial girth when stowed.<\/p>\n\n\n\n

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The Sigma 135mm f\/1.8 with lens hood<\/figcaption><\/figure>\n\n\n\n

Autofocus<\/h3>\n\n\n\n

You’re going to hear me gush a fair bit about the optics contained in this lens on the next page, here we come to the one downside to the lens: autofocus is average at best.<\/p>\n\n\n\n

In good light, autofocus has reasonable speed, and locks fairly surely. In dimmer light, focus slows down a fair bit, and getting the lens to lock focus in single shot mode becomes a bit of a challenge depending on the contrast of the focus target. In both cases, accuracy in single shot AF mode is generally good, though I did have it miss focus on occasion, though the misses didn’t seem to have any pattern to them.  I had a few misses in dimmer light, but also a few misses in good light stopped down.<\/p>\n\n\n\n

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Running – Sony A7 III with Sigma 135mm f\/1.8 @ f\/1.8 (Continuous AF with EyeAF)<\/figcaption><\/figure>\n\n\n\n

The good news, however, is that in continuous AF mode, focus is much more sure, and this extends to EyeAF in continuous AF mode, which works very well for portrait shooting. Shooting action with the lens works fairly well, but very quick changes toward or away from the camera can cause the lens to lag slightly.  Considering the huge amount of glass to move, the performance is reasonable, but autofocus is still the weakest part of the lens. With that said, for the type of shooting that one is likely to do with the Sigma 135mm f\/1.8, it performs just fine.<\/p>\n\n\n\n

Edit: 2\/12\/21: While it doesn’t directly compare to the Sony E-Mount version of this lens, I thought I would mention autofocus of the Canon EF mount version on RF mount cameras. I have obtained a copy of the 135mm f\/1.8 for use on my Canon R5, and autofocus on that body with that version of the lens is significantly faster than what I experienced with the E-mount version. Focus is swift and accurate, even in dim light. Of course the optics are identical between versions, which as you’ll read in the next section, is a very, very good thing.<\/em><\/p>\n\n\n\n

Continue: Image Quality<\/a><\/h4>\n\n\n\n\n\n\n\n

Image Quality<\/h3>\n\n\n\n

Sigma’s art series has been known for excellent image quality, and I have to say, the 135mm f\/1.8 Art is among the finest lenses I’ve had the opportunity to use.<\/p>\n\n\n\n

Sharpness<\/h4>\n\n\n\n

I’ll cut to the chase: the Sigma 135mm f\/1.8 is an absolutely blisteringly sharp lens, starting right at f\/1.8.  Sharpness at f\/1.8 is exceptional over the entire frame, with just a touch less detail towards the edges and corners, but even here it’s still very sharp.  Stopping down a bit shows only minimal improvement, but that’s because it’s hard to get much sharper than it is wide open. This may be the sharpest overall lens I’ve ever used, for any camera system. You absolutely do not need to consider sharpness at all when choosing an aperture.  Pick the aperture for the depth of field you require and shoot away, knowing that the images will be pin sharp. The image below was shot at f\/1.8.  Click here<\/a> for a 100% crop of the focus area.<\/p>\n\n\n\n

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Diva – Sony A7 III with Sigma 135mm f\/1.8 @ f\/1.8<\/figcaption><\/figure>\n\n\n\n

Bokeh<\/h4>\n\n\n\n

Often, lenses that are extremely sharp suffer from less than perfect bokeh, but Sigma managed to avoid that pitfall here.  Bokeh from the 135mm f\/1.8 is smooth and creamy, with even specular highlights and a lovely character. Up close, you’ll obliterate backgrounds into nothingness, but even at moderate distances, the Sigma 135mm produces very nice background blur.  Due to the extreme aperture, there is some minor mechanical vignetting that causes some elongation of the specular highlights as you get towards the edges, but I don’t generally mind that. Combined with the excellent sharpness, subjects tend to pop rather substantially with this lens.<\/p>\n\n\n\n

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Scout – Sony A7 III with Sigma 135mm f\/1.8 @ f\/1.8, 1\/160s, ISO 250<\/figcaption><\/figure>\n\n\n\n

Color, Contrast and Chromatic Aberration<\/h4>\n\n\n\n

The Sigma 135mm f\/1.8 Art shows solid contrast straight from f\/1.8 through the focus range.  It’s not an in-your face high microcontrast rendering, just nice even contrast that works well for everything from portraits to landscapes.  Color is perhaps a touch biased to the warm side, which is fairly typical for Sigma lenses.  Surprisingly, the lens has very low chromatic aberrations, with essentially no field relevant chromatic aberration, both laterally and axially. There may be just a touch of longitudinal chromatic aberration visible in just the right circumstances, but in day-to-day shooting, I can’t say I ever really came across it.  An excellent performance here.<\/p>\n\n\n\n

Distortion, Flare and Vignetting<\/h4>\n\n\n\n

Telephoto prime lenses rarely have any issues with distortion, and the same is true here.  There is a touch of pincushion distortion that is barely visible when shooting extremely straight line subjects, but unless you’re shooting graph paper, I don’t think you’d ever notice it.  The lens has very minor vignetting that again won’t really be noticed in almost any situation.  Even against bright light, the Sigma 135mm f\/1.8 does very nicely, with just some contrast loss, but without any major ghosting.<\/p>\n\n\n\n

In all, it’s a truly spectacular optic.  Of all the lenses I’ve reviewed, only a handful are even close to as good optically as the Sigma 135mm. It’s simply stunning.<\/p>\n\n\n\n

Continue: Conclusion and Image Samples<\/a><\/h4>\n\n\n\n\n\n\n\n

Conclusion<\/h3>\n\n\n\n

Pros<\/h4>\n\n\n\n