{"id":9538,"date":"2019-07-28T15:00:24","date_gmt":"2019-07-28T20:00:24","guid":{"rendered":"https:\/\/admiringlight.com\/blog\/?p=9538"},"modified":"2024-09-05T17:27:21","modified_gmt":"2024-09-05T22:27:21","slug":"tamron-17-28mm-f-2-8-vs-sony-zeiss-16-35mm-f-4","status":"publish","type":"post","link":"https:\/\/admiringlight.com\/blog\/tamron-17-28mm-f-2-8-vs-sony-zeiss-16-35mm-f-4\/","title":{"rendered":"Tamron 17-28mm f\/2.8 vs Sony\/Zeiss 16-35mm f\/4"},"content":{"rendered":"\n<p>Tamron just released their brand new 17-28mm f\/2.8 Di III RXD lens for Sony E-Mount, and it&#8217;s a very intriguing offer from Tamron.&nbsp; The lens retails for $899, which is $450 cheaper than the Sony\/Zeiss 16-35mm f\/4 OSS that is involved in this comparison, and a whopping $1,300 less than the equal aperture (but wider range) Sony FE 16-35mm f\/2.8 GM.&nbsp; I happen to already own the 16-35mm f\/4, and have used it to great effect over the past 4 years.&nbsp; I got the Tamron 17-28mm f\/2.8 in on Friday and have already done some shooting around with it.&nbsp; Today I did a very informal test to compare the 17-28mm f\/2.8 to my Sony\/Zeiss 16-35mm f\/4. I say informal, as I didn&#8217;t have much time to set up, and as such I had some differing lighting conditions between shots due to passing clouds.&nbsp; I didn&#8217;t have time to reshoot all series to ensure they were perfectly equally lit.&nbsp; Also, take this test for what it is: a comparison of a single example of each lens.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">The Lenses<\/h4>\n\n\n\n<p>The Tamron 17-28mm f\/2.8 is a new lens that features a fast constant f\/2.8 aperture in a surprisingly compact and lightweight body.&nbsp; It is constructed of high-grade plastics and weighs a surprisingly lightweight 420g.&nbsp; The Tamron has a fairly short zoom range, stopping at 28mm rather than the more typical 35mm of most ultra-wide zooms.&nbsp; This shorter range allows the lens to stay very compact while keeping that large f\/2.8 aperture. The lens does not extend while zooming, as all zooming is done internal to the outer lens barrel.&nbsp; It features a 67mm filter thread.<\/p>\n\n\n\n<p>The Sony\/Zeiss 16-35mm f\/4 was the first ultra-wide zoom for the full frame E-mount system, and is constructed with a full metal exterior, a 72mm filter thread and extends while zooming.&nbsp; The 16-35mm f\/4 does have a built-in optical stabilizer. While the 16-35mm f\/4 is a full stop slower than the Tamron, it&#8217;s actually a slightly larger lens.&nbsp; It&#8217;s the same length as the Tamron when zoomed to the 35mm position (its shortest physical length), but is a touch wider in diameter.&nbsp; When zoomed to the wide end, the Sony is about a cm or so longer than the Tamron.&nbsp; it weighs in at 518g, around 23% heavier than the Tamron despite the slower aperture.<\/p>\n\n\n\n<figure class=\"wp-block-image alignnone\"><a href=\"http:\/\/www.admiringlight.com\/2019\/tamsony.jpg\" rel=\"noopener noreferrer\"><img decoding=\"async\" src=\"http:\/\/www.admiringlight.com\/2019\/tamsony.jpg\" alt=\"\"\/><\/a><figcaption class=\"wp-element-caption\">The Tamron 17-28mm f\/2.8 and Sony 16-35mm f\/4 at their widest focal length.<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">The Test<\/h4>\n\n\n\n<p>I set up my camera on a tripod, angled to the scene (near infinity) to allow for comparison at the extreme corners at the plane of focus.&nbsp; I took a quick series of shots with each lens at 17mm, 23mm and 28mm, from wide open through f\/8.<\/p>\n\n\n\n<p>The full scene is below:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter\"><a href=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2019\/07\/tamron_sony_test.jpg\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"1400\" height=\"933\" src=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2019\/07\/tamron_sony_test.jpg\" alt=\"\" class=\"wp-image-9542\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2019\/07\/tamron_sony_test.jpg 1400w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2019\/07\/tamron_sony_test-300x200.jpg 300w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2019\/07\/tamron_sony_test-768x512.jpg 768w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2019\/07\/tamron_sony_test-1024x682.jpg 1024w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2019\/07\/tamron_sony_test-850x566.jpg 850w\" sizes=\"auto, (max-width: 1400px) 100vw, 1400px\" \/><\/a><figcaption class=\"wp-element-caption\">The Test Scene (shot is Tamron at 17mm, f\/2.8)<\/figcaption><\/figure>\n\n\n\n<p>Below are 100% crops from each image in the series.&nbsp; First up, 17mm:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter\"><a href=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2019\/07\/tamron_sony_17.jpg\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"1779\" height=\"1761\" src=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2019\/07\/tamron_sony_17.jpg\" alt=\"\" class=\"wp-image-9539\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2019\/07\/tamron_sony_17.jpg 1779w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2019\/07\/tamron_sony_17-300x297.jpg 300w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2019\/07\/tamron_sony_17-768x760.jpg 768w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2019\/07\/tamron_sony_17-1024x1014.jpg 1024w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2019\/07\/tamron_sony_17-850x841.jpg 850w\" sizes=\"auto, (max-width: 1779px) 100vw, 1779px\" \/><\/a><figcaption class=\"wp-element-caption\">Comparison crops at 17mm (click to open full size)<\/figcaption><\/figure>\n\n\n\n<p>As you can see above, the Tamron is consistently sharper than the Sony at the wide end of the zoom range.&nbsp; It&#8217;s especially pronounced at the widest apertures, where the Tamron at f\/2.8 is as sharp as the Sony at f\/4 in the center, and even sharper than the Sony in the corners, despite being shot at a stop faster aperture.&nbsp; With both at f\/4, the Tamron increases its lead.&nbsp; At f\/5.6 and f\/8, the Sony catches up quite a bit in the extreme corners, but never quite equals the Tamron, while also losing out in the center.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter\"><a href=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2019\/07\/tamron_sony_23.jpg\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"1779\" height=\"1761\" src=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2019\/07\/tamron_sony_23.jpg\" alt=\"\" class=\"wp-image-9540\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2019\/07\/tamron_sony_23.jpg 1779w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2019\/07\/tamron_sony_23-300x297.jpg 300w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2019\/07\/tamron_sony_23-768x760.jpg 768w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2019\/07\/tamron_sony_23-1024x1014.jpg 1024w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2019\/07\/tamron_sony_23-850x841.jpg 850w\" sizes=\"auto, (max-width: 1779px) 100vw, 1779px\" \/><\/a><figcaption class=\"wp-element-caption\">Comparison crops at 23mm (click to open full size)<\/figcaption><\/figure>\n\n\n\n<p>At 23mm, the Tamron still shows itself to be a bit better, though the differences aren&#8217;t as pronounced as at 17mm.&nbsp; At 23mm, the Tamron is a bit sharper than the Sony at similar apertures in the center, and perhaps a hair sharper in the corner at small apertures.&nbsp; The Tamron still shows a substantial lead in the corners at the widest apertures.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter\"><a href=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2019\/07\/tamron_sony_28.jpg\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"1779\" height=\"1761\" src=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2019\/07\/tamron_sony_28.jpg\" alt=\"\" class=\"wp-image-9541\" srcset=\"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2019\/07\/tamron_sony_28.jpg 1779w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2019\/07\/tamron_sony_28-300x297.jpg 300w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2019\/07\/tamron_sony_28-768x760.jpg 768w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2019\/07\/tamron_sony_28-1024x1014.jpg 1024w, https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2019\/07\/tamron_sony_28-850x841.jpg 850w\" sizes=\"auto, (max-width: 1779px) 100vw, 1779px\" \/><\/a><figcaption class=\"wp-element-caption\">28mm Comparison Crops (click to open full size)<\/figcaption><\/figure>\n\n\n\n<p>At 28mm, the lenses are definitely closer to one another than at any other focal length.&nbsp; While the Tamron still shows a slight corner edge at f\/4 the two lenses are nearly identical in the corners at f\/5.6 and f\/8.&nbsp; Tamron still holds a slight edge in the central part of the frame at all apertures.<\/p>\n\n\n\n<p>I also took some comparison shots at closer focus distances, but I&#8217;ll just show the 17mm crops below.&nbsp; I forgot to take 28mm shots on the Sony on this close focus test, and the 23mm test shows nearly identical results as in the shots above.&nbsp; Below are 100% crops from about 6 feet from the wall at 17mm, again, a passing cloud varied the light.<\/p>\n\n\n\n<figure class=\"wp-block-image alignnone\"><a href=\"http:\/\/admiringlight.com\/2019\/tamron_sony_17c.jpg\" rel=\"noopener noreferrer\"><img decoding=\"async\" src=\"http:\/\/admiringlight.com\/2019\/tamron_sony_17c.jpg\" alt=\"\"\/><\/a><figcaption class=\"wp-element-caption\">Comparison Crops, 17mm @ 6 feet<\/figcaption><\/figure>\n\n\n\n<p>Again, the Tamron shows itself to be superior in resolution over the Sony.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Conclusion<\/h4>\n\n\n\n<p>While the changing light prevents me from making any real judgements on color and contrast, it is quite clear that from a resolution standpoint, the new Tamron 17-28mm f\/2.8 is a cut above the Sony 16-35mm f\/4.&nbsp; Of course, sharpness is only one part of a lens, and I&#8217;ll be doing a full review on the Tamron 17-28mm f\/2.8 in the coming weeks and will fully evaluate the image quality and operation of the lens.&nbsp; However, in my short time with it so far, it appears to be a winner.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tamron just released their brand new 17-28mm f\/2.8 Di III RXD lens for Sony E-Mount, and it&#8217;s a very intriguing offer from Tamron.&nbsp; The lens retails for $899, which is $450 cheaper than the Sony\/Zeiss 16-35mm f\/4 OSS that is involved in this comparison, and a whopping $1,300 less than the equal aperture (but wider [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":9543,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"cybocfi_hide_featured_image":"yes","_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2},"_links_to":"","_links_to_target":""},"categories":[22],"tags":[],"class_list":["post-9538","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-shop"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/admiringlight.com\/blog\/wp-content\/uploads\/2019\/07\/tamsony.jpg","jetpack_shortlink":"https:\/\/wp.me\/p28RGq-2tQ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/posts\/9538","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/comments?post=9538"}],"version-history":[{"count":5,"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/posts\/9538\/revisions"}],"predecessor-version":[{"id":12727,"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/posts\/9538\/revisions\/12727"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/media\/9543"}],"wp:attachment":[{"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/media?parent=9538"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/categories?post=9538"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/admiringlight.com\/blog\/wp-json\/wp\/v2\/tags?post=9538"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}