Review: Olympus M.Zuiko 7-14mm f/2.8 PRO

Review: Olympus M.Zuiko 7-14mm f/2.8 PRO

Conclusion

Pros

  • Well built, weather sealed lens with smooth zoom and focus rings
  • Nice manual focus clutch mechanism with distance scale
  • Very fast and accurate autofocus
  • Excellent image sharpness throughout the focal and aperture range
  • Very good color and contrast
  • Decent bokeh considering the wide angle of view
  • Low vignetting
  • Versatile focal range

Cons

  • Large for a Micro 4/3 lens
  • Terrible performance against bright light
  • High lateral chromatic aberration
  • High native distortion, though well corrected in profiles

The Olympus 7-14mm f/2.8 PRO is a lens that a lot of shooters have been waiting for.  It completes the f/2.8 zoom trinity for Olympus, and does so in a mostly convincing manner.  The lens is big and rather expensive at $1299, but you get a lens with an outstanding ultra-wide angle focal range that is sharp right from f/2.8.  The lens handles well in the field and is extremely versatile, while providing mostly excellent optical characteristics.

The lens isn’t perfect, with high lateral chromatic aberration and terrible flare performance.  The CA I can forgive a bit, as it’s so easy to correct, but the flare is harder to overcome.  An ultra-wide lens is often useful for landscape work, but the lens flares badly whenever the sun is in the frame.  As such, you’ll need to either incorporate the flare into the image, or simply not use the lens when the sun is going to be out.  It’s that last part that makes the lens somewhat difficult to recommend, despite the strong performance in many other areas.  I will say that the ‘purple blob’ problem that the Panasonic 7-14mm experiences on Olympus bodies is not replicated with the Olympus 7-14mm, which is nice.  If you can get past the flare problems, the lens is an excellent performer and a very good ultra-wide zoom lens.

Image Samples

Click on an image to enlarge

City Sky - Olympus OM-D E-M5 with Olympus 7-14mm f/2.8 PRO @ 7mm, f/5.6 (flare removed in post)
City Sky – Olympus OM-D E-M5 with Olympus 7-14mm f/2.8 PRO @ 7mm, f/5.6 (flare removed in post)
Marble Stairs - Olympus OM-D E-M5 with Olympus 7-14mm f/2.8 PRO @ 10mm, f/2.8
Marble Stairs – Olympus OM-D E-M5 with Olympus 7-14mm f/2.8 PRO @ 10mm, f/2.8
Main Street Bridge - Olympus OM-D E-M5 with Olympus 7-14mm f/2.8 PRO @ 12mm, f/5
Main Street Bridge – Olympus OM-D E-M5 with Olympus 7-14mm f/2.8 PRO @ 12mm, f/5
Pizza - Olympus OM-D E-M5 with Olympus 7-14mm f/2.8 PRO @ 14mm, f/2.8
Pizza – Olympus OM-D E-M5 with Olympus 7-14mm f/2.8 PRO @ 14mm, f/2.8
Dawn on the Scioto - Olympus OM-D E-M5 with Olympus 7-14mm f/2.8 PRO @
Dawn on the Scioto – Olympus OM-D E-M5 with Olympus 7-14mm f/2.8 PRO @ 12mm, f/8
AEP - Olympus OM-D E-M5 with Olympus 7-14mm f/2.8 PRO @ 7mm, f/5.6
AEP – Olympus OM-D E-M5 with Olympus 7-14mm f/2.8 PRO @ 7mm, f/5.6
Grand Ceiling - Olympus OM-D E-M5 with Olympus 7-14mm f/2.8 PRO @ 7mm, f/4
Grand Ceiling – Olympus OM-D E-M5 with Olympus 7-14mm f/2.8 PRO @ 7mm, f/4
Palace Restaurant - Olympus OM-D E-M5 with Olympus 7-14mm f/2.8 PRO @ 7mm, f/5.6
Palace Restaurant – Olympus OM-D E-M5 with Olympus 7-14mm f/2.8 PRO @ 7mm, f/5.6
Main Street Sunrise - Olympus OM-D E-M5 with Olympus 7-14mm f/2.8 PRO @ 9mm, f/5
Main Street Sunrise – Olympus OM-D E-M5 with Olympus 7-14mm f/2.8 PRO @ 9mm, f/5
Escape - Olympus OM-D E-M5 with Olympus 7-14mm f/2.8 PRO @ 7mm, f/5.6
Escape – Olympus OM-D E-M5 with Olympus 7-14mm f/2.8 PRO @ 7mm, f/5.6
Running - Olympus OM-D E-M5 with Olympus 7-14mm f/2.8 PRO @
Running – Olympus OM-D E-M5 with Olympus 7-14mm f/2.8 PRO @ 10mm, f/4

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Comments

32 responses to “Review: Olympus M.Zuiko 7-14mm f/2.8 PRO”

  1. Sahib7 Avatar
    Sahib7

    Dear Jordan,

    great review, but we are used to that already 😉

    As I’m shooting Olympus and Fuji X bodies – like you – I would like to know what you would favor personally, the Fuji 10-24 or the Olympus 7-14.
    How are both of these in comparison to the Olympus 9-18mm in the overlapping range?

    Thank you!

    1. Dunsun Avatar
      Dunsun

      I would be interested as well.

    2. Jordan Steele Avatar

      The 7-14 is the sharpest of the three. I think that none are perfect, but all are quite good. If you’re debating between this lens and the 9-18, it really comes down to whether you value resolution vs. compact size. The 9-18 has good resolution, but it’s not the same as the 7-14. Vs. the Fuji 10-24, things are a bit closer. The Fuji can flare in the right circumstances too, but it isn’t nearly as obvious, and it also controls CA better. That said, the 7-14 is still a bit sharper throughout the range.

      1. John Gaylord Avatar

        I own both Olympus 7-14 and 9-18 lenses and for my needs, I wouldn’t want to be without either lens. For any long trek, especially for street shooting, I much prefer the 9-18 for its lightness, compactness, and screw-in filter capability. It’s my favorite WA lens. Rarely do I need 7mm wide angle, but I often use the longer focal lengths of the 9-18 lens, which is plenty sharp and software correction takes care of distortion and CA. The 7-14 is essential for architecture & interiors and yes it delivers superior IQ.

    3. Roland Avatar
      Roland

      I have both now, Zuiko 7-14 and Fuji 10-24, and the Zuiko is better, exceptionally good, even at 7. I’m going to sold my 10-24 and stay with small primes for my Fuji and 7-14, 12-100 et 45 1.2 for my EM1 mk III.

  2. Nghi Avatar
    Nghi

    Hello,

    Thanks for a great review. I love your reviews, very informative and wonderful photos.

  3. Rüdiger Avatar
    Rüdiger

    Dear Jordan,

    great review, thank you!
    I would also like to know, if you compare the fuji10-24 to the oly 7-14, which you prefer. Thank you!

  4. Peter Avatar
    Peter

    I’d like a bit more in depth comment on how it compares to the Panasonic 7–14 f/4.

    1. Jordan Steele Avatar

      I no longer have the Panasonic 7-14, so I couldn’t do a direct comparison, but I shot with it extensively for a few years. My impression given that time gap is that the Olympus is a bit sharper, especially at the corners, though regular lens flare is better than the Panasonic. For interior shooting, however, the Olympus doesn’t have the ‘purple reflection’ problem that the Panasonic displayed when shot on Olympus bodies.

      1. Vlad Avatar
        Vlad

        How about a comparison with the 9-18mm? It’d be interesting to see how much difference there actually is and what we are sacrificing for the smaller size.

  5. Andrew Avatar
    Andrew

    Regarding the purple blobs with the Panasonic 7-14 on Olympus bodies, for anyone who is concerned about it – it is caused by a weak UV filter on the Olympus sensor stack. It can easily be eliminated with a simple Haze 2A UV filter. Unfortunately, this does require adding the rear filter holder from the Panasonic 8mm fisheye and using a Wratten 2A filter gel. Not a hard modification, but irritating for those with Olympus bodies nevertheless.

  6. TedK Avatar
    TedK

    Great review and I concur 100% with your assessment of this terrific lens. I got mine shortly after it was released. Have been enjoying looking at the world “wide-eyed.” Have some spectacular flower close-ups throughout the 7-14mm range.

  7. Dimon Avatar
    Dimon

    This new “PRO” lens has no filter threads. It it’s aimed for landscape photographers. How smart is that?

    1. Andrew Avatar
      Andrew

      Well, neither does the Nikon 14-24, the Canon 11-24, the Tamron 15-30, or the Sigma 12-24.

      If you want a field of view wider than ~107 degrees or so, the front element is just too bulbous to allow filter threads. You can also get adapters for Lee / Cokin-type square filters that clamp over the hood.

      1. Vlad Avatar
        Vlad

        Not necessarily. Plenty of such lenses have filter threads : Tokina 11-16, Sony 10-18, Sigma 10-20, Canon 10-22, Nikon 10-24 etc.

        1. Jordan Steele Avatar

          None of the lenses you mention are as wide as this lens. Those lenses are all APS-C lenses, with the widest of them having a field of view equivalent to ~15mm on full frame, as opposed to 14mm here. It may not sound like much, but I’ve yet to see one 14mm equivalent lens with filter threads.

  8. Just me Avatar
    Just me

    I own the 12-40 an 40-150 Pros and consider them excellent. But I’m not at all convinced with this 7-14. Seems like it has too many glaring flaws to be worth the money. Flare issues, and no way to use filters, for example. Seems like this design was not as well thought out as previous Pro series lenses.

  9. Bob B. Avatar
    Bob B.

    Did I miss them or are there no example photos of the lenses “horrible” flare characteristics?

  10. Bob B. Avatar
    Bob B.

    my bad…I see the one image…hmmmmm….the flare does seem a bit extreme for a lens in this price range for this format….

    1. Jordan Steele Avatar

      There’s the one with the fire escape on this page, and if you enlarge the image below where I discuss the flare on page 2, you can see a tremendous number of ghosting artifacts. Not only the purple blob to the left of the image, but a big series of white flare ghosts mid/right frame, plus the purple bleed. Thing is, if the sun is included in the frame, that level of flare is there no matter where. The shot with the fire escape shows what it does with the sun at the corners/just out of frame. Once I saw this, I often chose to exclude compositions that had the sun in them.

  11. Yalmer042 Avatar

    I have successfully used the Pany 7-14mm f/4 for years (especially for architecture shots), but I have traded it for the new Olympus 7-14mm Pro f/2.8. It is common knowledge that very wide angle lenses are very prone to flare and CA at the edges of the frame, and this was the case for the Pany 7-14mm on my Olympus M5 and M1 bodies. I have read every test report I could find on the Olympus Pro 7-14mm, and it’s CA and overall sharpness ratings have been superior to those of the older, slower Pany 7-14mm lens. Further, large purple blobs very not infrequent in interior shots with the Pany when bright window light was present. Getting the new Olympus Pro 7-14mm is an upgrade for me over the Pany version even thought the latter gave me great service for years.

  12. Vlad Avatar
    Vlad

    Olympus (or Panasonic) should make an UWA prime (actually, given the amount of people who seem to adapt, it only makes sense to address very well the wide end). Every wide angle zoom I know of will have problems with flares and sunbursts, not to mention expensive filters. Resolution in the corners is great, but it means nothing when there are colorful blotches all over the image. This Olympus is actually surprisingly bad (in this particular aspect) for its price.

  13. matteo Avatar
    matteo

    I used it for 8 years (from 2006 until today), the Zuiko 7-14 F4, the Old lens suffers from what I can see, the same problems of ghosting and flare of the new lens, I could know if the quality is the same?

  14. Ken Thomas Avatar
    Ken Thomas

    Are you able to comment on how this lens compares to the Four Thirds 7-14mm F/4.0 lens? Obviously it is smaller and one stop faster, but apart from those factors? I ask because I have the Four Thirds lens which I use on an E-M1 and so focusing is OK. I’m been wondering whether to sell the F/4.0 lens and buy this Pro lens.

    1. Jordan Steele Avatar

      I am not. I have never had the pleasure of using the FT version of the 7-14. To be honest, I’ve never actually used a FT camera or lens. I dove in with Olympus with the original E-P1.

  15. Eric Avatar
    Eric

    I’m looking for something wide for my GH4 that is decent in low light. would you pick the Olympus 7-14 over the Tokina 11-16 w/ speedbooster?

  16. Zach Avatar

    I think the distortion of this lens is worth noting in more than a cursory way. While I admit I have not used the lens personally, I think it’s instructive to take Photozone’s conclusions into account. When a lens has this much raw distortion that must be corrected, you are simply losing something. The Panasonic 7-14mm does not have as much, to be fair to that lens. Please see link below:
    http://www.photozone.de/m43/961_olympus714f28pro?start=1

  17. […] released two new lenses in their new PRO lineup: the 7-14mm f/2.8 and the 8mm f/1.8. The Olympus 300mm f/4 PRO that was announced at Photokina last year has still not […]

  18. DrDave Avatar
    DrDave

    Especially nice photos.

  19. Aurore Avatar
    Aurore

    Bonjour,
    Le piqué et la netteté sont meilleurs sur le zuiko 7-14 f2.8 que sur le 10-24 de Fuji ? Même à Iso élevés?
    Dans l’attente de vous lire.
    Cordialement

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