Cosina, the manufacturer behind the modern Voigtländer brand, has been producing outstanding optics for the Sony E-mount for the last several years. I’ve reviewed several of these lenses, and have been regularly impressed. Voigtländer has managed to produce high-end manual focus lenses that rival the very well received Zeiss Loxia line in many ways for…
Tamron had great success with their first full-frame Sony E-mount lens, the 28-75mm f/2.8. The lens was affordable, had very good image quality, a solid yet lightweight build and made for a very nice alternative to the Sony 24-70mm f/2.8 GM. Now they are targeting the ultra-wide zoom segment with the new Tamron 17-28mm f/2.8…
Sigma has had two distinct strategies when it comes to mirrorless lenses. On the full-frame side, they simply ported their DSLR lenses to Sony E-Mount (and later the L-mount) by basically building in their mount adapter logic into the lens and extending a tube to make up the flange distance, though this is beginning to…
Fujifilm has done a wonderful job filling out the lenses for their X-mount camera system since it’s beginning in 2012. Among my personal favorites have been the more recent compact f/2 series lenses, that many have dubbed the “Fujicron” lenses, as a nod to the high quality, super small Leica Summicron lenses. These include the…
With Sony’s recent emphasis on full-frame cameras and lenses, many users of Sony’s original APS-C E-mount cameras have begun to feel a bit left out. While Sony still has a long way to go with regards to native APS-C lens selection, the APS-C camera line got another injection of technology with the brand-new a6400. While…
I mentioned it when I reviewed Voigtländer’s excellent 40mm f/1.2: Voigtländer has been killing it of late. Cosina has managed to take a brand that had been dormant for a while, and resurrect it with a wide variety of unique manual focus lenses for both Leica M mount and now Sony E-Mount. Today’s reviewed lens,…
Today I’m looking at Sony’s extreme wide-angle zoom, the 12-24mm f/4 G. As photography has progressed, more and more exotic lens designs have become possible. Decades ago, a 24mm lens was considered extremely wide and 20mm was an almost unheard of ultra-wide angle. Now, the standard ultra wide zoom starts at 16mm, and more exotic…
This has been a big year for the mirrorless industry, as the two big boys, Canon and Nikon have both thrown themselves into the Full-Frame mirrorless world to give Sony some competition. The EOS R is Canon’s first entry into this space, and it comes with their new RF mirrorless mount. Canon made some very…