Admiring Light

Fuji has been releasing a host of new camera bodies for their X System, with a total of four new cameras in the past year.  The latest breaks from the rangefinder-style tradition of the X-Series and brings us a mini-SLR style mirrorless camera in the X-T1.  While it shares many of its features and capabilities …

I don’t generally do reviews of Canon EF lenses, as I’ve been shooting mirrorless exclusively for the past 7 years.  However, with the availability of EF to E-mount adapters, and the Sony system still being a little thin in some areas, there are Canon mount lenses that may potentially be great alternatives for use on …

Fujifilm, after having been stuck with more or less the same sensor for around 4 years, has been updating their rather robust lineup with the new 24 Megapixel X-Trans III sensor.  First up was last winter’s long-awaited X-Pro2, and then this past summer, Fuji moved to update their extremely popular X-T1 with the new X-T2. …

Sigma has been around for over 50 years, and they’ve been primarily known as a third-party manufacturer of SLR lenses, though they’ve also made their own SLR cameras and some high end compact cameras as well. Over the past decade, they’ve started to make some very high-end glass. Recently, they dipped their toes into the …

Fuji has done a great job in building a robust lineup for their X-Series mirrorless cameras, but despite releasing the weathersealed X-T1 earlier this year, they hadn’t created a weathersealed lens until now.  The XF 18-135mm f/3.5-5.6 R OIS WR is a wide range super-zoom lens that features Fuji’s new Weather Resistant tag, with rubber …

Photographers who use the Micro 4/3 system of Compact System Cameras have long been awaiting a true upgrade to Panasonic’s original rangefinder style interchangeable lens mirrorless camera, the GF1.  The GF2 and GF3 saw a repositioning of the the GF series into a more consumer oriented device, eschewing many external controls found on the GF1 …

One of the great advantages of using a full frame DSLR or even larger formats such such as 645 or even 4×5 view cameras is that there is a shallow depth of field and extreme background blur component that can’t really be matched on smaller formats such as APS-C or Micro 4/3. For portraits or …

Early this year, Sony announced three new members of a new lens line, the “G Master” line, to denote top end professional grade lenses. Two of them are the key pro-grade zoom lenses that are essential to high-end systems: the 24-70mm f/2.8 and the 70-200mm f/2.8, while also releasing a fast portrait prime in the …