Tamron just released their brand new 17-28mm f/2.8 Di III RXD lens for Sony E-Mount, and it’s a very intriguing offer from Tamron. The lens retails for $899, which is $450 cheaper than the Sony/Zeiss 16-35mm f/4 OSS that is involved in this comparison, and a whopping $1,300 less than the equal aperture (but wider…
Landscape photographers regularly try to seek out new locations to capture natural beauty. If you live somewhere where natural beauty is in abundance, you may have countless locations to explore. In other areas, natural beauty may be confined to widely spaced pockets, and it can be challenging to find new locations that scratch that itch…
Fujifilm has done a wonderful job filling out the lenses for their X-mount camera system since it’s beginning in 2012. Among my personal favorites have been the more recent compact f/2 series lenses, that many have dubbed the “Fujicron” lenses, as a nod to the high quality, super small Leica Summicron lenses. These include the…
With Sony’s recent emphasis on full-frame cameras and lenses, many users of Sony’s original APS-C E-mount cameras have begun to feel a bit left out. While Sony still has a long way to go with regards to native APS-C lens selection, the APS-C camera line got another injection of technology with the brand-new a6400. While…
We’re three months into 2019, and I usually post my Favorite Photos of the Year in late December or early January, but I missed it this year. Still, I’ve done a collection of my favorite photos of the year each year since I founded this site in 2012, and I didn’t want to miss is…
I mentioned it when I reviewed Voigtländer’s excellent 40mm f/1.2: Voigtländer has been killing it of late. Cosina has managed to take a brand that had been dormant for a while, and resurrect it with a wide variety of unique manual focus lenses for both Leica M mount and now Sony E-Mount. Today’s reviewed lens,…
What lens is best? I get asked this all the time, and there’s never really a right answer. “Best for what?” is what I usually reply, as the answer will depend on what the photographer wants to accomplish, what their budget is and what is important to them. Everyone will have a different notion of…
Today I’m looking at Sony’s extreme wide-angle zoom, the 12-24mm f/4 G. As photography has progressed, more and more exotic lens designs have become possible. Decades ago, a 24mm lens was considered extremely wide and 20mm was an almost unheard of ultra-wide angle. Now, the standard ultra wide zoom starts at 16mm, and more exotic…