Fuji 56mm f/1.2 vs. Panasonic Leica 42.5mm f/1.2 Nocticron

Fuji 56mm f/1.2 vs. Panasonic Leica 42.5mm f/1.2 Nocticron

Portrait Test

Finally, we’ll take a look at a ‘portrait test.’  My daughter was kind enough to sit patiently while I took photos of her with the two lenses.  These are handheld with flash, taken from the same position.  Unfortunately, sometimes my daughter would like to rock slightly, which is apparent in the 56mm f/1.2 crop, where she moved very slightly out of the plane of perfect focus.

This test has not yet been repeated with my second copy of the Fuji 56mm.  I will attempt to recreate the shot below with my replacement 56mm, and will update the article at that time.  For now, this test shows the results of that first lens.  Given the improvement seen in this focus zone with the properly aligned Fuji 56mm, I’d imagine there would be some change in the resolution at the focus point for the Fuji lens.

Full images are below:

Fuji 56mm f/1.2 @ f/1.2
Fuji 56mm f/1.2 @ f/1.2
Panasonic Leica 42.5mm f/1.2 @ f/1.2
Panasonic Leica 42.5mm f/1.2 @ f/1.2
Fuji 56mm f/1.2 @ f/1.6
Fuji 56mm f/1.2 @ f/1.6

The overall rendering is very nice between both lenses.  WIth the 56mm  at f/1.2, there’s just that little bit softer look from the shallower depth of field.  The Leica performs beautifully, with great subject separation and a really nice look.  The PL’s higher native vignetting at f/1.2 is actually rather desirable and beautiful here (though this can be added in post for the Fuji if desired).  In both Fuji shots, I think the colored bin to the left of the arm (which is actually folded laundry) is rendered smoother in the background than the Leica.

Below are 100% crops:

100% crops (click to enlarge)
100% crops (click to enlarge)

In this case, the Leica shows a bit more resolution than the Fuji at f/1.2, though how much is due to depth of field is hard to tell.  When the Fuji is set to f/1.6 to equalize depth of field, it is then a bit sharper than the Leica.  In any case, there’s plenty of resolution here.  Either lens will do a great job for portraiture.

Additional Notes

While not directly tested here, I’ve not shot enough with both these lenses to add a few more observations between these two lenses.

  • Wide open, the Panasonic Leica has a little higher contrast straight out of camera.  It really has remarkable contrast for an f/1.2 lens. You can process the Fuji images with a simple contrast adjustment in post to match this, but it doesn’t get that high contrast pop until about f/2.2 straight out of camera.
  • The Fuji exhibits some spherical aberration wide open, which may show as a glow with high contrast subjects such as white text on a black background.  The Panasonic Leica exhibits extremely minimal spherical aberration.
  • While both lenses can show some Longitudinal CA at wide apertures, the Nocticron displays it much more readily.   High contrast areas immediately in front and behind the focus point display as a magenta or green fringe.  Still, both lenses do a decent job in this department considering the speed.
  • Price.  Here’s it’a s huge win for the Fuji, coming in at $999 vs. the $1599 of the Nocticron.  You do get optical image stabilization with the Leica, but I’m not sure that makes up the full $600 difference between the two lenses.
  • While not shown here, I have taken similar (though not identical, and thus why they are not presented) shots at a distance.  Both lenses do quite well here, though the Panasonic Leica has the across-frame sharpness lead for more distant subjects at wide apertures.  The Fuji 56mm is still quite good across the frame at f/1.2 and f/1.8, but has some light corner softening, but the Leica is very sharp across the whole frame at these distances.  Stopped down, both are exceptional.

Conclusion

So who wins?  We do!  If you shoot Fuji, you’ve got an awesome fast telephoto in the 56mm f/1.2, and if you shoot Micro 4/3, the Panasonic Leica is phenomenal. When I first conducted this test with my slightly faulty Fuji 56mm, I ruled that the Panasonic was the slightly more corrected lens.  Now with a properly functioning Fuji 56mm, it’s far less clear cut.  Close up, where these lenses would be used for portraiture and the like, the Fuji has a slight edge.  At a distance, the Panasonic does slightly better.

The Leica 42.5mm does have a little smoother bokeh and definitley has higher contrast at wide apertures. It is very apparent that these two lenses are both exceptional. For more detailed information on each lens, take a look at my full reviews of the Fuji 56mm f/1.2 and the Panasonic Leica 42.5mm f/1.2 Nocticron.

Comments

63 responses to “Fuji 56mm f/1.2 vs. Panasonic Leica 42.5mm f/1.2 Nocticron”

  1. Pikachu Avatar
    Pikachu

    Nice article ^^ thank you

  2. Michel Avatar

    Dear Jordan

    Thanks so much for this interesting comparison! I have just bought the Voigtländer Nokton 42.5 for my Olympus E-M1 and I am really happy with this wonderful and interesting lens. But of course I am still interested to read what your experiences with the PanaLeica Nocticron are.

    Keep up the good work! You are my number one resource for MFT and Fuji reviews! Thanks so much for your effort and your passion.

    Best regards

    Michel Mayerle

  3. Peter F Avatar

    I think if I were shooting a portrait I might shoot a FF camera 90mm lens at F4, a Fuji 56mm at F2.8, or a Panasonic 42.5 or Olympus 45mm at F2…. for comparable DOF.

    I wonder how the Fuji at, say for example, F2.8 compares with the Panasonic at F2. In other words comparing them assuming one is trying to match DOF, rather than trying to match F stops.

    Just food for thought.

    Peter F.

    1. Jordan Steele Avatar

      The crops are there….look at them for comparable DOF. match the f/1.8 crops against the f/1.2 crops and check for yourself. In the portrait example, the f/1.6 shot is exactly that…the matching DOF for the wide open shot on the PL.

  4. HF Avatar
    HF

    Nice comparison!

  5. Albert Erickson Avatar
    Albert Erickson

    Great review, I am very interested in the 42 for my oly ME. 1. I own the leica 25 and love it. What camera did you use for the test? BTW love your work. I too am in Columbus and always looking for interesting places to shoot, if you have time write about what inspires you.

    1. Jordan Steele Avatar

      The Fuji shots were on the X-E2, the PanaLeica was shot on the Oly E-M5

  6. mahesh Avatar
    mahesh

    just the comparison i was looking for. i was waiting to invest in either fuji or olympus based on this comparison, looks like they are equally good after all. one wins on price and the other on slightly more 3d pop. the speed of fujis still lags behind micro 4/3ds. so i will go with panasonic lens and a micro 4/3rds then, probably em10.
    can’t wait for the full comparison as well.

    Thanks so much

  7. JL Williams Avatar

    Interesting article. The comparison images are too ad-hoc to make hair-splitting judgments, but it’s clear both are excellent lenses.

    Possible tie-breaker for the unlikely few who might be trying to choose which mirrorless system to buy, based on these two lenses: the Panasonic offers image stabilization on every camera (Panasonic or Olympus) on which it can be used, whereas there is NO way to get stabilization with the Fuji lens.

    1. Gryfster Avatar
      Gryfster

      Why does stabilization matter for an f/1.2 lens? In most cases the shutter speed is going to be really fast at f/1.2 and this is a portrait type lens so its doubtful you will be going slower than 1/160. Anyway whatever floats your boat.

      1. Friiduh Avatar
        Friiduh

        Because you are often required to use 3-4 stop ND filter with these lenses so you can shoot with that f/1.2 in day time.

        Otherwise you are forced to shoot with smaller aperture as you can’t get below ISO 100-200 or faster than 1/4000-1/8000.

        1. Eddie Avatar
          Eddie

          But surely if you’ve run into max SS limitations (requiring an ND filter) then even the adjusted SS is going to be so high as to render stabilization redundant. No?

          Ed

      2. Al.X Avatar
        Al.X

        Why stabilization matters? Because like most non-mft fanatics, you people seem totally unaware that the popularity of MFT is thanks to the video associated to them. Why people like me who enjoy photo insist in keeping a MFT camera instead of a full frame camera? Because MFT is the best of both worlds whereas with a FF you just bar yourself from doing professional videos.

        It seem that a lot of people are still clueless as to why MFT is popular…it’s because most MFT fanatics do video too.

        (Yes I know, old thread but if it can be useful for other people…)

    2. Rick D Avatar
      Rick D

      The in-body stabilization is nice, but for this field-of-view equivalent focal length — (and as stated in this article) I’m not sure if the extra $600 is worth it. For *me* — I shoot things that are often moving so shooting at a lower shutter speed vs. a non-stabilized lens/body isn’t a benefit. Again, this is for me. If you’re shooting static subjects then I definitely see how a stabilized setup is a good thing. Then again, I’m not sure it’s worth it for 60% more cost ($600) in this case.

      1. Fri13 Avatar
        Fri13

        The IBIS is great with moving subjects toi because panning feature what helps a lot to get good motion blurred background to moving subjects like running kids or cars etc.

        But it can ruin them if enabled with wrong settings. Still, it is benefit in so many situations that I would take it.

  8. Tobias Avatar
    Tobias

    The results are a lot better, especially from the Fuji lens, if the focusing distance is higher. Unfortunately this test is too close to the subject to mean anything. Portrait distance should be at least 1 to 1.5 meters, so that’s what you need to test. My own tests indicate that the Fuji is much sharper at such distances. I haven’t had the chance to try the Panasonic/Leica one yet.

    1. HF Avatar
      HF

      One shouldn’t pick only a sweet spot of the lens to compare. I don’t use a lens only at one single distance.
      But all that doesn’t really matter at all. Other than at 100% differences are mostly too small to notice. So both are great.

      1. Jordan Steele Avatar

        It is worth noting that both lenses perform as well, if not better, towards infinity, even at wide apertures…I just have it had time to do that comparison.

  9. ian Avatar
    ian

    The problem is your comparing two different formats and when taking the crop factor into account its an 84mm F1.8 fuji Vs a 85mm F2.4 panasonic, yes the different size sensors do affect the aperture as well and it can be clearly seen that the fuji is not only much brighter than the panasonic at a given aperture & exposure settings but also the background is noticeably out of focus to a greater degree.

    1. Jordan Steele Avatar

      It is very hard to compare transmission in a test like this, as it’s hard to separate how much the camera’s rating of ISO figures into it. I do think the Fuji passes a hair more light for a given aperture, but how much I can’t really say.

      As to depth of field, compare the crops you want to compare…that’s why they’re there….the thing is, the m4/3 shooter isn’t going to care whether the Fuji can do shallower depth of field (though the samples I’ve provided show that, and the portrait test has Fuji shots at both f/1.2 and the equivalent depth of field aperture of f/1.6. )

    2. Chris K Avatar
      Chris K

      I disagree, Ian. I think Jordan did a good job of comparing cross-format, and I found the review very useful. The lenses have the same AOV:

      55 * 1.5 = 82.5mm-e
      42 * 2 = 84mm-e

      And Jordan showed comparison photos with the Fuji stopped down to give similar DOF. Look at the Fuji f/1.8 versus Panasonic f/1.2, for example; both have similar blur, but the Panasonic has more subtle gradation on the specular highlight from the bottle.

      As for the brightness factor, it’s well-known that cameras and lenses are not consistent when it comes to labeled versus aperture, transmission, ISO, or even shutter speed. To expect that the numbers will line up is optimistic!

      I don’t really see how the comparison could be done better, considering it’s across two formats. How would you propose to improve the comparison?

      Personally, I’d love to see the new Olympus f/1.8 compared to the Panasonic in the style of this review. I never could justify the Canon 85/1.2 when I shot a 5D despite its beautiful rendering, and I was disappointed to learn that the Panasonic while the Panasonic seems to match the Canon’s performance, it would mirror Canon’s pricing.

    3. CT Avatar
      CT

      Dear Ian,

      Your argument only works from the DOF point of view. If we assume the “quantity of light” point of view, they are two 1.2 lenses with one mm focal length difference (less than 1.5% in the short tele range, which is very little).

      For me for example, DOF is not really important, but light is.

      Your conclusions hold though …. yesterday I tried the Fuji 56mm/1.2 on a XT1 and I was blow away by it. One thing people do not realise is how little “case” there is, and how much glass …. this is the first thing that hits you. The second is the size of the front lens, and how round is the diaphragm: when you have it mounted on the XT1 it looks like there is nothing but a large floating front lens. It is also light, and on the XT1 it is really, really well balanced: it makes you want to take pictures with it.

      Thanks for the very, very useful comparison Jordan.

      Best,

      1. CT Avatar
        CT

        PS: Less than 1mm difference equivalent, of course 🙂

    4. Fri13 Avatar
      Fri13

      The crop factor doesn’t affect to DoF but only to cropping part of the image. Lens is still exactly same what is reading in its specs. Only if you want 1:1 ratio to subject on frame, you need to shoot further and that means same aperture at longer distance causes a deeper depth of field. The problem is as well that people claim crop affects to lens light passage what isn’t true, the aperture stay exactly to same as specs say, but the aperture isn’t same thing as T-stop what is value of the light passage trough lens, while F-stop is only a standard to limit light between different F-stops equally. So one lens f/1.2 can have a 1/3-2/3 stops better light passage than another f/1.2 lens and it has nothing to do with the sensor size but the manufacturer lens design itself.

      A f/1.2 42.5mm on FF camera behaves exactly same as if you would just mount it to drop camera, except the content around center of photo isn’t stored and cause the shooter need to shoot twice as long distance as FF shooter with a same lens and that distance difference means DoF is larger by two but lens is still a f/1.2 by its nature, instead like f/2.4.

      Everyone should just think it like FF shooter gets just wider shot and is required to shoot closer or later on crop 1/4 of the frame (compared to m4/3) to get same subject size and they will suffer from shallower depth of field what forces them to use higher aperture value to keep subject(s) sharp and then boost ISO by 2 stops to maintain fast enough shutter speed to stop motion (indoors, two persons in frame or moving subject toward/away camera). And if you really want to get that ultimate smooth background then don’t waste money too much for aperture as you don’t need than little enough to separate subject and then you do rest in post. Get a smaller aperture value lenses only when you need higher shutter speed and you can’t boost ISO (already on max real ISO).

      The 42.5mm f/1.2 is beautiful but too rarely needed so that price would say it (or any same aperture FF lens) wins a cheap high quality Olympus f/1.8 45mm in time of use and possibilities. Only when you start shooting at longer distances than few meters, like 10-15 you get value for that shallower depth of field lens to help you in post process.

  10. Frank Thoma Avatar
    Frank Thoma

    Well, I also belong to the small group of Panasonic and Fujifilm users 🙂
    Nice comparison but no surprise. I expected both portrait lenses to be excellent. I will go for the Fuji 56/1.2 mm because of its shallower depth of field and its financial advantage. There is one more point: I already use the Olympus 45/1.8 mm with my Lumix GX7. This ridiculously cheap and tiny lens shines even at f/1.8. For travelling light and small this alround lens is far better than the new Panasonic 42.5/1.2 mm. Just my two cents.

    Frank

  11. PhotoDreamer Avatar
    PhotoDreamer

    The Fuji wins for me! Going to pass on the Panasonic Leica.

  12. […] For the comparison between the Fuji 56mm f/1.2 and the Panasonic Leica 42.5mm f/1.2 for Micro 4/3 click here: “Overall, the Panasonic Leica is a little bit better corrected.  It’s slightly sharper […]

  13. John Avatar
    John

    Dear Mr. Steele,

    In these : https://admiringlight.com/blog/wp-content/uploads/2014/03/pl_fuji_crops.jpg crops, the Panasonic shows crossed lines abe f2.5 where the Fuji shows nothing (just flat white area). Are these artifacts or is the PanaLeica really that much sharper? I’m not referring to the moire within the tower but the area around.

    Btw. I think it’s not totally fair to say that the PanaLeica is better corrected given the larger physical aperture of the Fuji lens which should make corrections a little harder for the latter lens. Still, an awesome review, very informative. Thanks a lot!

    1. Jordan Steele Avatar

      I think it’s a type of moire, caused by how sharp it is there. As to whether it means it’s just crazy sharper than the Fuji there? I can’t verify that with a bayer sensor (I don’t have an X-A1). The X-Trans sensor does a great job of eliminating moire by the way the color filter is laid out, so I can’t test whether that isn’t present on the Fuji due to better moire control or simply not enough resolution. For my purposes, the Fuji is also brilliantly sharp in the center.

      1. John Avatar
        John

        Thanks for your fast response. I agree that both lenses are more than adequately sharp for probably any kind of meaningful application. Taking another look at the crops I reached the same conclusion as you did, that this must be moire as the pattern seems to extend into the towers. What surprised me is that the moire pattern seems to weaken at 3.5 compared to 2.5. I checked some other tests (such as the renowned Olympus 75 1.8) and it indeed seems that the effects of diffraction already begin between f2 and f3 for these high end lenses. of course the drop in sharpness again has no implication for real scenarios but that was a bit surprising as I had always thought that effects of diffraction only become visible around f4 for the 16mp m43 lenses.

        1. HF Avatar
          HF

          I don’t think these cameras are diffraction limited when using such a lens. This depends on the Airy disc and circle of confusion and should start a little earlier than f8, but not at f2 to f3. Cambrideincolor.com lets you calculate that.

  14. Steve Avatar
    Steve

    How do you find the Auto Focus performance indoors between these 2 lenses.

  15. BobTB Avatar
    BobTB

    The DOF of the Fuji is 0.7 of a stop shallower than the Panasonic so you are not comparing like for like at any setting. Combine the fact that Fuji have a noticeably better sensor and their lens { designed for a larger sensor } is actually £360 cheaper . I would never consider the Panasonic. As a long term mFT user { since it came out } I must admit to being very disappointed with the mFT image quality when compared to the best APS options , if it were not for poor video on Fuji I would already be gone.

    1. HF Avatar
      HF

      Please detail what you mean with noticeably better sensor. It’s not even possible to fully and accurately demosaic the RAW files until now. Due to the 3×3 pixel arrays you need to interpolate. And that means detail losses (transfer-function in Fourier space drops to zero for large wave numbers (small scales and therefore detail). So there seems to be a noise reduction already in RAW and sometimes false detail. Of course you have a stop better high ISO. But duo you regularly print A3/A2 or larger? As a pro I would use A7r if detail and good high is what I need.
      Don’t understand me wrong, I like the Fuji cameras especially the Xt1 looks nice. But in my opinion all cameras with sensor from 4/3 and up are able to produce excellent pictures with differences mostly seen at 100%. This is why many pros use these cameras.

      1. John Avatar
        John

        Perhaps you should consider working on your shooting before exaggerating how bad the IQ is on the mFT cameras. The differences between MFT and APS-C are there but largely negligible. As shown from this comparison, good glass can and is an equalizer even given sensor size differences. And finally, how you shoot can and will make a difference as well. I remember my first boss challenging me to produce the same colors without the blowout/crush on a Canon rebel xsi, vs a 5D. It was super hard at first but doable, and taught me that a photograph’s weakness often isn’t the camera but the user.

    2. Chris K Avatar
      Chris K

      Claiming poor image quality in the face of results like this is a great way to highlight hyperbole.

      1. Gryfster Avatar
        Gryfster

        +1

  16. Androo Avatar
    Androo

    It’s pretty impressive that there’s essentially nothing to tell the difference between these two lenses, despite the different formats. A remarkable showing from both lenses, and one that should quite easily lay to rest the myth that you’re giving up image quality by choosing mirrorless.

    It’s a shame that the Leica is as expensive as it is – I can see the OIS being a big benefit for videographers using a GH3/GH4, but I suspect most of us would have preferred for Panny to omit the OIS in deference to a more Fuji-like price tag. Especially given that IBIS is beginning to look like a Micro Four Thirds differentiating advantage moving forward…

  17. JO Avatar
    JO

    I’d be more interested to see a comparison (with crops) between the PanaLeica 42.5 and the Olympus 45 1.8.

  18. […] been to this site over the past few days, you probably saw (or came to the site because of) my comparison between the Panasonic Leica 42.5mm f/1.2 Nocticron and the Fujifilm 56mm f/1.2.  These are two absolutely stunning portrait lenses for their respective systems, and users on […]

  19. […] Some days ago admiringlight posted a comparison between the XF56 and the Leica 42.5 f/1.2. The winner was pretty clear: it was the Leica. But the battle wasn’t fair. Jordan used a faulty 56mm for the comparison. Now he got a new one and repeated the test re-evaluated the results here: […]

  20. Alex Avatar

    Great article!

    I’m shocked how better the contrast of the portrait on leica is.. This is pure win @ f 1.2 !!! And this is important because the aperture stays behind the price, even if it is “only” 999 USD.
    Now that I see the difference I’m realizing that on so many samples I’ve seen with fuji 58 @ f1.2 contrast could have been better!

    Anyway fuji did a nice attempt and I appreciate it!
    thanks again for this port!

    1. Rick D Avatar
      Rick D

      Jordan wrote that the Fuji portrait photos were taken with the first (defective) copy of the Fuji lens that he had. Looks like you may have skipped reading that fact.

      1. Alex Avatar
        Alex

        I did not skip it. Maybe you skipped just the next sentence:

        “Given the improvement seen in this focus zone with the properly aligned Fuji 56mm, I’d imagine there would be some change in the resolution at the focus point for the Fuji lens.”

        Yes resolution means contrast, but word “contrast” has not been mentioned. Hope the non defective copy will be better anyway

    2. Karl Avatar
      Karl

      A somewhat expensive “pure win”.

  21. mrjirey Avatar
    mrjirey

    Wow both lenses did very well. Considering how shape the Fuji turned out to be it would be interesting to put it up against the Ziess Otis. Even if it ends up slightly soft, at 20% of the cost, it would be a great value

  22. DimaRU Avatar
    DimaRU

    Thank you for this great comparison and beuty kid phtos! 🙂

  23. kecajkerugo Avatar
    kecajkerugo

    Hello all, Comparisons are useful but both lenses are just great- no need to select an ultimate winner!
    No need for any war between the great mirror-less systems like the X Fuji and the m43.

  24. zweitfoto Avatar
    zweitfoto

    Hey Jordan – I like your reviews most!
    As an owner of the 45/1,8 I’d like to read a comparison PanaLeica 42.5/1,2 resp. Fujinon 56/1,2 – Olympus 75/1,8 for portraiture (I know 85 vs. 150, but nonetheless VERY interesting). Since you have (or had) both, you would be the man for it 🙂

  25. Graeme Avatar
    Graeme

    While it seems the optical performance of both lenses is pretty close, which in theory should hand a big win to the Fuji in cost terms, when taking the respective systems into consideration I personally come down on the side of MFT. The E-M1 is just a better photographic tool than any Fuji body (X-T1 included, though this seemingly significantly narrows the gap) for me (and I reiterate, for me). It’s combination of handling, AF speed, IBIS and build just can’t be beaten in the mirrorless world. Much is made of the APS-C sized Fuji sensors IQ advantage over MFT, but I’m sorry, I am just not seeing it, and the samples photos here reinforce my view. Only the jump to full frame seems to give a significant IQ advantage over MFT, and this comes at the cost of a huge jump in size (if not necessarily in bodies (A7r), then fundamentally in lenses). Then again, I have the Nocticron and EM-1, so I’m almost certainly biased (-;

  26. […] Richtig viel Licht: Fuji 56mm f/1.2 vs. Panasonic Leica 42.5mm f/1.2 Nocticron bei Admiring Light […]

  27. […] Fuji 56mm F1.2 vs. Panasonic Leica 42.5mm f/1.2 Nocticron bei Admiring Light […]

  28. Paul F. Avatar
    Paul F.

    Great head to head here. I gotta admit… the Fuji wins here simply because its $600 cheaper. Noct is great, but it is no better than the Fuji.

  29. agachart Avatar
    agachart

    can’t compare different format/sensor & software correction(major of mirrorless system),
    use panasonic body + lens ,fuji is ok,

  30. peter Avatar
    peter

    I’m puzzled on the 100% crops of the girls face:
    The 2 Fujifilm examples clearly show the detail of the white food crumbs (dried milkshake?) around the corner of the girls mouth, and maybe under her nose.
    However, there is no such detail on the Leica crop. Like it was photoshopped out (I realize it wasn’t)

    Was this pointed out?
    Why do you think the Leica version does not ‘see’ this face detail?

    Any information is appreciated. Thank you!

    1. Jordan Steele Avatar

      I think she wiped her mouth between shots.

  31. Herman Avatar
    Herman

    What a wonderful model with her natural grace and dignity! You’re a lucky father, Jordan, give her a kiss!

  32. 83Ivan Avatar

    Hello admin, i must say you have very interesting content here.

    Your website should go viral. You need initial traffic only.

    How to get it? Search for: Mertiso’s tips go viral

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