Review: Sony FE 28mm f/2

Review: Sony FE 28mm f/2

Conclusion

Pros

  • Compact, well-constructed lens
  • Nicely damped focus ring
  • Adequately sharp over most of the frame from f/2 while edges sharpen up when stopped down
  • Generally pleasing bokeh
  • Good control of chromatic aberration
  • Excellent flare control
  • Good color and contrast
  • Fast, quiet and accurate autofocus in good light
  • Utility can be expanded with add-on conversion lenses
  • Affordable

Cons

  • Autofocus can hunt and miss focus in low light situations
  • Heavy barrel distortion requires digital correction for most shots
  • Vignetting at wide apertures
  • Some edge softness wide open
  • Conversion lens bayonet is small and plastic

The Sony FE 28mm f/2 is the first Sony-branded prime lens to come out for the full-frame e-mount system (with the 90mm macro following closely on its heels), and it’s an excellent effort.  The lens is relatively small, reasonably priced and delivers very good performance.  I don’t think I’m alone in hoping that Sony adds more lenses like the 28mm to the lineup.  One of the biggest barriers to entry to the A7 series cameras is the relatively high cost of the lenses.  There really needs to be a solid set of affordable lenses that are generally small and don’t break the bank, while still providing quality optics.  The FE 28mm fits that description quite well.

The 28mm f/2 is a nicely built lens that provides good image sharpness, a reasonably fast aperture, decent bokeh and only a few lens aberrations; none of which are dealbreakers.  The only real issue I encountered was some inconsistency in focusing in low light situations, especially when backlit.   If the 28mm focal length fits your shooting needs, then it’s a lens that is easy to recommend.  It’s not the best FE lens, but it’s probably the best value in the system as of this writing.

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Image Samples

Click on an image to enlarge

Blue Hen Falls - Sony A7 II with Sony FE 28mm f/2 @ f/14
Blue Hen Falls – Sony A7 II with Sony FE 28mm f/2 @ f/14
Spider - Sony A7 II with Sony FE 28mm f/2 @ f/2
Spider – Sony A7 II with Sony FE 28mm f/2 @ f/2
Sunlight - Sony A7 II with Sony FE 28mm f/2 @ f/16
Sunlight – Sony A7 II with Sony FE 28mm f/2 @ f/16
Morning Maples - Sony A7 II with Sony FE 28mm f/2 @ f/11
Morning Maples – Sony A7 II with Sony FE 28mm f/2 @ f/11 (focus stack of 2 images)
Bronze Sculptor - Sony A7 II with Sony FE 28mm f/2 @ f/4
Bronze Sculptor – Sony A7 II with Sony FE 28mm f/2 @ f/4
Blue Hen Falls - Sony A7 II with Sony FE 28mm f/2 @ f/11 (focus stack of 3 images)
Blue Hen Falls – Sony A7 II with Sony FE 28mm f/2 @ f/11 (focus stack of 3 images)

Breakfast - Sony A7 II with Sony FE 28mm f/2 @ f/2
Breakfast – Sony A7 II with Sony FE 28mm f/2 @ f/2

I-80 - Sony A7 II with Sony FE 28mm f/2 @ f/9
I-80 – Sony A7 II with Sony FE 28mm f/2 @ f/9

Indian Run Tree - Sony A7 II with Sony FE 28mm f/2 @ f/2
Indian Run Tree – Sony A7 II with Sony FE 28mm f/2 @ f/2

If you enjoyed this review, check out more of my reviews in the Review Index

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Comments

26 responses to “Review: Sony FE 28mm f/2”

  1. Wolfgang Lonien Avatar

    Love your I-80 and bronze sculptor images!

  2. Vlad Avatar

    Quick question. For the waterfall pictures, what ND filter do you use? Great review and shots as always.

    1. Vita Avatar
      Vita

      I would also like to know the answer to this one, please. Thanks!

    2. Vita Avatar
      Vita

      Also, could you please recommend a variable ND filter for this lens?

    3. Jordan Steele Avatar

      I did not use an ND for these shots. Light was low enough that stopping down produced enough blur, though a circular polarizer was used for a few images. I have not had good luck with Variable ND filters, but I use Hoya HMC/HD2/Pro1 filters for the most part. I own a 10 stop ProND1000 that is excellent for a super dense filter, than I also have a 3 stop and 4 stop HMC ND filters.

  3. […] to NP-FW50 batteries (SonyAlphaForum). Sony FE 28mm f/2 review at Admiringlight. Sony 21mm Ultra-Wide Conversion Lens review at Admiringlight. “Every photo that you take is a […]

  4. agenius Avatar
    agenius

    all full frame lenses are expensive, that’s just a fact of life, the same way SUVs are pricier than sedans. Then there is the fact that Sony’s in particular are of the highest quality (well, the overwhelming majority anyways), (relatively) small and AF.

    disclosure – I own both a a7ii and formerly an a7, and the 35 2.8, 55 1.8, 16-35 f4 as well as the kit lens. And I’m considering the a7rii! what I’m not considering, though, is this lens, as I have become hooked on the Zeiss rendering, which this sadly lacks. might consider the Batis line instead…

    1. Colin Johnson Avatar
      Colin Johnson

      I agree.
      I was hoping this was a 28mm version of the excellent 35 F2.8.

      Sadly it is not.
      I tried 2 separate copies hoping I had a dud with the first one.
      Again, I was disappointed.

      This lens renders like the Sony 35 F1.8 on my A6000.
      Good overall, but bland and sterile and lacking that Zeiss creamy, dreamy quality.

      I ordered the Batis 25mm F2 instead…

      1. agenius Avatar
        agenius

        nice! It would surprise me if you weren’t happy with the batis 25, as it seems to be excellent, from the early reviews. me, I’m still in the considering phase…

        I agree. that 35 2.8 is excellent, and moreover underrated!

  5. Mauro Avatar
    Mauro

    nice review

    note:there’s a wrong sample: the first child sample is taken with 55 1.8 instead 28 f 2.

    https://admiringlight.com/blog/wp-content/uploads/2015/06/xander_ball.jpg

    cheers

    1. Jordan Steele Avatar

      Whoops! Thanks for catching that. Had mixed in the 55 for a few shots that day and missed it. I’ve taken that shot out now.

  6. Jim McB Avatar
    Jim McB

    Hi Jordan…greetings from Castalia. Your site is excellent and may have saved me from walking away from my lone time gear.. I have accumulated and absurdly large collect of Minolta MF gear. I have shot nothing but slides on MF gear since the 70’s but recently ran into difficulty getting e-6 processing done here in Ohio. Never owned AF gear or digital. Can’t teach old dogs new tricks I guess, That said I be interested in your adcive for a mirrorless camera and adapter for Minolta lenses. I shoot mostly landscape but I have all but 3 of the full minolta lense line up…micro up thru the mirrors. Thanks again or any assistance you can provide

  7. Jason D Avatar
    Jason D

    Thank you for all your reviews. Not sure if you are still monitoring these comments but thought I would try!

    I am completely torn between the A7ii with 28mm and 55mm and the Fuji X-T1/10 with 16mm and 35mm. It seems to me you are getting one amazing lens (55mm and 16mm) and one slightly lesser lens (28mm and 35mm) per system. Am I on the right lines or is one set of lenses appreciably better? For landscape and general travel would one system work better? Are any other factors significant?

    As I said thanks for all the info, it’s good to read and compare all systems by the same reviewer.

    Yours, Jason

    1. Jordan Steele Avatar

      As a whole, the Fuji lens lineup is currently a bit better in my opinion, but Sony’s been doing a great job lately. The 55/1.8 is certainly a sharper lens at wide apertures vs. the Fuji 35, though some may prefer the rendering of the Fuji better. Stopped down, they are both exceptional. The 16/1.4 is a better lens than the 28, but again, both are good. They also have different fields of view.

      You’ll be able to make great images with either system, that’s for sure. An A7 series is likely going to be a bit better for landscape use due to the Fuji’s occasional oddities with foliage, but I’ve made great landscape images with both systems. As much as I love my A7 II, and I do use it a bit more for landscape work, the X-T1 feels so at home in my hands, and I enjoy shooting a bit more with the Fuji gear. I’d definitely handle both and see what feels best to you.

      1. Jason D Avatar
        Jason D

        Thank you for your reply Jordan.

        Just one final question. What about AF performance between them. I see you regard the new X-T10 as very good in low light. Is the Sony system considerably weaker? Poor low light focus on the Nex 7 and X-E1 really put me off both cameras and I sold them on quickly – perhaps too quickly.

        I had thought I may try manual focus on the Sony system but after reading your recent Loxia review that seems like a bit of a pain in the neck – stopping up and down.

        Thank you for your time. Your reviews are tremendously helpful.

        Yours, Jason

        1. Jordan Steele Avatar

          Autofocus is one of the hardest things to articulate, as it’s so situation dependent. With the X-T1 and T10, I’ve found low light focusing to be more sure than with my A7 II. The A7 II is generally a bit quicker (especially with the 55mm vs. the Fuji 35mm) in good light, but it can struggle in low light, or especially with back-lit subjects, which my Fujis don’t seem to have trouble with. The Fuji’s will be similar to the Sony cameras in dimmer light if using the AF points outside of the PDAF area…the phase detect points on the Fujis help tremendously in lower light, and with overall focus speed.

          Manual focus works quite well on both cameras (The T1 better than the T10 due to the much larger finder), though it’s not for speed if you’ll be stopping down and want pinpoint precision (though you can focus stopped down).

  8. Vivek Anand Avatar
    Vivek Anand

    Thanks for the post and images. Even though most people (including myself) are fans of the Zeiss lenses, I was shocked to see that the Sony 28mm had a DXO score of 34 vs a DXO score of 33 for the Zeiss Fe 35mm f2.8!

  9. […] Sony FE 28mm f/2 is a notably smaller lens, and is Sony’s most affordable FE prime lens. I reviewed it here and found it to be good optically and a very nice value given the fast aperture and relatively […]

  10. […] the APS-C market, the array of full-frame options has been staggering.  Sony released the FE 28mm f/2, the 90mm f/2.8 Macro, the 24-240mm super zoom, the 35mm f/1.4 and two conversion lenses, while […]

  11. Sally Avatar

    Bought this 28mm lens because I needed the 2, aperture for night shooting. I am horrified by the starburst situation on every light! I have a cheap sony kit zoom that doesn’t do that, and I also own the 35mm fixed sony and it doesn’t do it either, What gives? I’ve tried changing the aperture and even at 2. it does it.
    Its so bad, every light, every car headlight etc. Am I doing somthing wrong here?

    1. Jordan Steele Avatar

      Do you have an example?

  12. Faisal Avatar
    Faisal

    I just want to know how it performs on sony a6xxx series as compared to sony 35mm 1.8.

  13. Harvey Avatar
    Harvey

    You mention that most lenses in the A7 series struggle with AF in lower light situations. This is something that I read often and something I experience myself. Are there any lenses you have used for Sony mirrorless that focus well in lower light situations?

  14. […] Admiringlight?????FE 28mm F2??????????????? […]

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