Admiring Light
Menu
  • Home
  • Review Index
  • Shop Talk
  • Technique and Vision
  • Opinion
  • Portfolio
  • Site Index
  • About
    • Privacy Policy
Menu

Review: Voigtländer 12mm f/5.6 Ultra Wide Heliar

Posted on October 20, 2019October 20, 2019 by Jordan Steele

Contents

  • 1Construction and Handling
  • 2Using an Extreme Ultra-Wide Lens
  • 3Image Quality
  • 4Conclusion
  • 5Image Samples

Image Quality

Extreme ultra-wide lenses can be difficult to design for, and generally there are compromises to be made.  This is especially true in a lens as compact as the 12mm f/5.6.  However, I think Voigtländer has done a great job balancing image quality with this lens, and overall image quality is on a high level.

Sharpness

Extremely wide-angle lenses tend to have some difficulty maintaining strong sharpness to the corners, and the Voigtländer 12mm also fails to be truly sharp corner to corner.  However, I think that the 12mm f/5.6 does a very good job, especially considering the compact size.  The lens is very sharp across about 80% of the image frame from f/5.6.  Wide open, the edges and corners are soft.  Stopping down to f/8 or f/11 brings the edges into good territory, and even the corners can be OK here, though there is some residual softness.  In some circumstances, the corners can have a bit of a smeared look as well, but I have found this to not be particularly problematic for my shooting.  There seems to be some field curvature as well, so I’ve noticed corners tend to be notably sharper when shooting interiors than shooting sweeping landscapes. Still, the 12mm does get sharper than its 10mm brother in the corners, and provides plenty of resolution for my use across the frame.  The shot below was taken at f/8.  Click here for a full size image.

Huntington Building – Sony A7 III with Voigtländer 12mm f/5.6 @ f/8

Bokeh

Wait, bokeh on a 12mm f/5.6 lens?  Yeah, there really isn’t much to talk about here.  While there is the ability to slightly blur distant backgrounds when shooting at or near the 12mm’s minimum focus distance, there isn’t much blur to speak of, and certainly not enough to really discuss to quality of that blur in-depth.  Out of focus areas look fine, I suppose, but no one is going to buy this lens for bokeh.

Color, Contrast and Chromatic Aberration

One of Voigtländer’s strengths is creating lenses with beautiful color and a lovely contrast profile that features relatively high macro contrast, with lower microcontrast, providing lots of pop without being overbearing.  The result is a lovely look that features smooth tonal transitions without compromising overall image contrast.  The 12mm follows these characteristics to a tee.  I simply love the way my Voigtländer lenses draw for landscape and city shooting.

Side Falls, Hocking Hills – Sony A7 III with Voigtländer 12mm f/5.6 Ultra-Wide Heliar @ f/13

Lateral chromatic aberration is surprisingly well controlled.  There is a slight touch of it visible at the edges without correction, but it’s barely field relevant.  A surprisingly good performance here.  There isn’t much longitudinal CA to speak of because the depth of field is so deep.  However, bright edges have a small amount of purple fringing in very high contrast situations.  Overall, the control of color aberrations with the lens is very good for a lens this wide.

Distortion, Flare and Vignetting

Here we reach some of the weaker points with the lens.  The Voigtländer 12mm shows moderately strong barrel distortion that is slightly complex, so application of the lens profile in Lightroom or Capture one will be necessary for architecture shooting.  The lens also has very pronounced vignetting as a result of the compact nature of the lens.  I generally like a bit of vignetting with my lenses, but the Voigtländer 12mm even causes me to click that ‘apply profile’ button and remove much of it in post processing.  As a result, the corners will have a bit more noise due to the shadows being lifted.  The shot below shows both of these aberrations in their uncorrected state.

Huntington Bank Building – Sony A7 III with Voigtländer 12mm f/5.6 Ultra-Wide Heliar @ f/8 (distortion and vignetting uncorrected)

After applying the distortion and vignetting profile in Lightroom, both of these are largely corrected, as can be seen below.  The only difference between the shot above and below is the checking of the ‘apply lens profile’ box in Lightroom:

Huntington Bank Building – Sony A7 III with Voigtländer 12mm f/5.6 Ultra-Wide Heliar @ f/8 (distortion and vignetting corrected)

The Voigtländer 12mm f/5.6 does perform quite well against bright light, however, with minimal ghosting and very good contrast.  This is good since with such a wide-angle lens, the sun will often make its way into compositions, as can be seen in several of the sample images on the next page.  The shot below, of course, features the sun quite prominently.  Also worth noting is that like most Voigtländer lenses, the straight bladed diaphragm creates prominent 10 pointed sun stars.

Log in the Forest – Sony A7 III with Voigtländer 12mm f/5.6 Ultra-Wide Heliar @ f/11

In all, the Voigtländer 12mm f/5.6 is an imperfect lens, as most extreme ultra-wide lenses are.  However, given the compact size, generally good sharpness, excellent contrast and color and good flare performance, I’ve been overall quite pleased with the image quality of the lens.

Continue: Conclusion and Image Samples

Pages: 1 2 3

2 thoughts on “Review: Voigtländer 12mm f/5.6 Ultra Wide Heliar”

  1. Chuck Moser says:
    October 20, 2019 at 9:26 pm

    I have this lens and I agree with everything you’ve said about it. My only problem with it is learning to see in 12mm. This is a lens that requires a lot of practice and patience, at least for me it does. I may be wrong but it seems that for a lens like this to be effective I need to have a certain esthetic in mind and only put it on the camera when I find a shot that fits that esthetic.

    Reply
  2. Steven Norquist says:
    August 3, 2020 at 10:31 pm

    This lens is amazing, a true work of art that can inspire and create truly dynamic photos. Since I first started photography I was drawn to wide angles, this lens, along with the 15mm Heliar, represent some of the best wide angles ever made. I own both and can’t imagine photography without them.
    Here is sample I took with the 12mm Heliar: https://www.flickr.com/photos/54171644@N07/48130543857/

    Reply

Leave a Reply Cancel reply

Your email address will not be published.

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Follow Me:

Follow Us on FacebookFollow Us on RSSFollow Us on InstagramFollow Us on Mastodon

Most Popular Posts

  • "Full Frame Equivalence" and Why It Doesn't Matter (288)
  • Fuji X-Pro 2 vs. Sony A7 II: Noise Comparison (70)
  • Fuji 56mm f/1.2 vs. Panasonic Leica 42.5mm f/1.2 Nocticron (63)
  • Review: Metabones Speed Booster (Canon FD to Fuji X) (56)
  • Review: Olympus OM-D E-M5 (48)

Recent Comments

  • Eric Wojtkun on My Favorite Photos of 2022
  • Jordan Steele on “Full Frame Equivalence” and Why It Doesn’t Matter
  • Leon on “Full Frame Equivalence” and Why It Doesn’t Matter
  • Clarke jones on Review: TTArtisan 50mm f/1.4 ASPH (RF Mount)
  • Anonymous on Sony A7 III vs. A7 II – Noise Comparison

Archives

©2023 Admiring Light | Theme by SuperbThemes
We use cookies to personalize content and ads and to analyze our traffic. We also share information about your use of our site with advertising and analytics partners who may combine it with other information that you’ve provided to them or that they’ve collected from your use of their services. You may consent to the use of cookies or opt out. Accept Reject Read More
Privacy & Cookies Policy

Privacy Overview

This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience.
Necessary
Always Enabled

Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.

SAVE & ACCEPT