Review: Sony FE 12-24mm f/4 G

Conclusion

Pros

  • Very compact for its focal length and aperture
  • Excellent build quality
  • Quick and accurate autofocus
  • Very good central image sharpness at wide apertures
  • Good image quality across almost the whole frame stopped down
  • Excellent color and contrast
  • Very good control of chromatic aberration

Cons

  • Bulbous front element prevents the use of screw-in filters
  • No optical image stabilization
  • Corners at 12mm are still a bit soft stopped down
  • Pronounced distortion at each end of the zoom range
  • Very high vignetting
  • Average flare performance

The Sony 12-24mm f/4 breaks a bit of new ground as an extreme ultra-wide angle zoom lens.  It’s a remarkably compact lens for a 12-24mm full-frame lens, and the construction is solid without making the lens too heavy.  The 12-24mm produces images with very good image sharpness across most of the frame throughout the zoom range, and has surprisingly good CA control and excellent color and contrast.

The usual compromises for extreme ultra-wide lenses are here as well, with fairly hefty distortion and strong vignetting.  However, the overall image quality is very good.  When you consider the small size and extreme focal range, it’s a really impressive lens.  While the 12-24mm is definitely a bit expensive, at $1,700, it also isn’t out of line with competing lenses from other manufacturers.  If you need a zoom in this focal range, is easy to recommend.

Image Samples

Click on an image to enlarge.

Conkle’s Hollow – Sony A7 III with Sony FE 12-24mm f/4 G @ 13mm, f/14, 30s, ISO 100
The Huntington Building – Sony A7 III with Sony FE 12-24mm f/4 G @ 12mm, f/11, 1/100s, ISO 100
Conkle’s Hollow Falls – Sony A7 III with Sony FE 12-24mm f/4 G @ 16mm, f/16, 30s, ISO 100
Trinity Church – Sony A7 III with Sony FE 12-24mm f/4 G @ 12mm, f/8, 1/60s, ISO 125
Statehouse Statue – Sony A7 III with Sony FE 12-24mm f/4 G @ 12mm, f/11, 1/60s, ISO 125
Conkle’s Hollow – Sony A7 III with Sony FE 12-24mm f/4 G @ 12mm, f/16, 65s, ISO 100
Trinity Church – Sony A7 III with Sony FE 12-24mm f/4 G @ 13mm, f/11, 1/15s, ISO 100
Boulders – Sony A7 III with Sony FE 12-24mm f/4 G @ 12mm, f/11, 30s, ISO 100
Conkle’s Hollow Falls – Sony A7 III with Sony FE 12-24mm f/4 G @ 24mm, f/16, (2 shot HDR)
If you enjoyed this review, check out my other reviews in the Review Index.

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Comments

6 responses to “Review: Sony FE 12-24mm f/4 G”

  1. […] (TheVerge). Curve-One to Bring Curved Sensors to Market (Image Sensor World). 12-24mm G review by Admiringlight. NY Times Photographer Doug Mills and Chief White House Photographer Shealah Craighead both […]

  2. […] Mention: Sony 12-24mm f/4 G – The Sony 12-24mm f/4 G is an extreme ultra-wide zoom that provides a wonderful and uniquely […]

  3. […] Admirig Light???????????FE12-24mm F4 G??????????????? […]

  4. […] to two extreme ultra-wide zoom ranges: the 12-24mm f/4 type lens, such as Sony’s very good 12-24mm f/4 G, and the not quite as wide, but faster 14-24mm f/2.8 range. These extreme ultra-wides fill much the […]

  5. […] option for those looking to get an extreme ultra-wide without the size and cost of something like Sony’s 12-24mm f/4.  I picked up this copy of the 12mm f/5.6 when it was on clearance for $750 new. It originally […]

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