Sep 06

Using Manual Focus Lenses on Mirrorless Cameras

Mirrorless Compact System Cameras (CSC) are great at a lot of things. They’re smaller, with smaller lenses, they have ultra-accurate autofocus and in most cases very high quality native lenses. However, one of the biggest advantages of these mirrorless cameras is the ability to mount and use almost any manual focus lens ever made.

Fujifilm X-E1 with Carl Zeiss 90mm f/2.8 Sonnar (Contax G mount)

Fujifilm X-E1 with Carl Zeiss 90mm f/2.8 Sonnar (Contax G mount)

All the major mirrorless camera systems, including Micro 4/3, Fuji X, Sony NEX, Samsung NX, Nikon 1 and Canon EOS M, feature a lens mount register distance that is very, very short in comparison to DSLRs and even most existing rangefinder systems, such as Leica M or Contax G. This allows one to mount lenses for any other system to the mirrorless camera using a simple mechanical adapter.

You can easily use lenses for Contax/Yashica, Leica M, Leica R, Canon FD, Minolta MD, Konica AR, Olympus OM, Nikon F, Canon EF (with some limitations), M42 Screwmount, Leica Thread Mount, Contarex, Alpa, and the list goes on and on. Instead of the limited number of lenses made specifically for your system, you can literally use thousands of different lenses from dozens of manufacturers.

This article takes a deeper look into the potential options available to you, how some of these lenses perform, and why, if you own a mirrorless CSC, you should definitely look into adapting some excellent older glass to your camera.

Why Should You Adapt?

If you’ve not used any manual focus lenses on your modern digital camera, you may be asking yourself why someone would want to shoot with one. There are lots of reasons, but let’s take a look at what are, in my opinion, the five biggest ones:

Gain capabilities not available with native lenses

While some mirrorless systems, like Micro 4/3, have very large lens lineups, all mirrorless systems have gaps in capability that the native lenses don’t cover. None of the CSCs have fast telephoto lenses in the 300mm range or longer. None of them have tilt/shift ability, and even when there are good options for say, a fast portrait lens, most of these systems don’t have multiple options.

Whether it’s adding a 300mm f/4 for a high-end telephoto lens or using a fast 50mm lens for some shallow depth of field, adapting quality manual focus lenses is often a good way of getting the lens you need without waiting for the camera manufacturer to release a new product.

Optical Excellence

While there are some truly excellent mirrorless lenses out there for all systems, in some cases, the native lens in the focal length you want may just not be up to snuff. In this case, there may be a truly excellent manual focus lens that has the optical quality you’re looking for. Sometimes you’ll end up paying through the nose for these lenses, such as is the case with adapting more modern Leica M lenses, but if you are after the best, in many cases you can get it.

You Can Save Money

While many manual focus lenses, even those 40-50 years old, can be quite expensive if they are top-tier optics, rare, or have the words ‘Leitz’ or ‘Zeiss’ written on them, there are tons of very high quality lenses out there that can be had for very little money. Fast 50mm lenses are a prime example. Most fast 50mm lenses from the 60s through the 80s are quite

The unique look from the Voigtlander Nokton 40mm f/1.4 (Leica M Mount), here on an Olympus E-P1

The unique look from the Voigtlander Nokton 40mm f/1.4 (Leica M Mount), here on an Olympus E-P1

good optically and can be had for a song. A good 50mm f/1.4 will often run you about $100, while an f/1.8 version may only cost you $30-$50 in excellent condition. The more specialized you get, the more the price will increase, but still, in many cases you can save money.

That Unique Look

When lenses are designed by the optical engineers at a company, there are design considerations and tradeoffs that are made. As a result, often lenses with the same specifications will have drastically different renderings of a scene. One lens may have been optimized for wide open sharpness, but as a result, the bokeh is wild and harsh. Others may have a soft dreamy glow, or produce super contrasty and saturated images, or produce crazy, swirly backgrounds, or be very low contrast and mild, others may be clean and clinical. What this allows is for you to choose the right lens to give you the look you want right out of the camera, which saves a lot of time in post processing. In many cases, the look you get with some lenses absolutely can’t be replicated in post. This is one of the key reasons to adapt, in my opinion: it gives you a tremendous amount of options to get the look you’re after.


Shooting with these lenses is a lot of fun…trying out new things, learning about old gear and perfecting your manual focus technique is truly a lot of fun.

Adapting Lenses – How and Why it Works

So, why can you use all these old lenses, and are there any limitations and problems with the process? Let’s dig in. First, there are a few things to understand about how lenses are designed for a camera system.

The distance from the film plane or digital sensor to the point where the lens and camera mounts interface is called the Register Distance or Flange Focal Distance. Each camera mount is designed around a standard register distance, and lenses are designed to operate with that register distance in mind. If the lens is mounted too close to the sensor plane, then the lens has difficulty focusing on closer subjects, and will focus beyond infinity (such that everything is out of focus).

Typical 35mm SLR lens mounts have register distances generally between about 38mm and 50mm, which is necessary to maintain clearance for the mirror. Typical rangefinder systems have register distances in the 25-30mm range. Mirrorless cameras, however, have very short register distances, ranging from the super short 9.2mm register of the Pentax-Q to the relatively long register of the Samsung NX system at 25.5mm. Fuji X, Sony NEX and Micro 4/3 all have register mounts between 17 and 20mm.

Since these mirrorless systems all have register distances shorter than essentially all SLR and Rangefinder systems, a simple mechanical adapter is all that’s required to properly use another system’s lenses. The adapter must be sized such that when the adapter is mounted, the distance from the sensor plane to the adapted mount is exactly the same as the adapted mount’s native register distance. See the image below for an illustration.

How adapters work - The adapter takes up the space between the mirrorless camera's short Flange Focal Distance (Register) and the required Flange Focal Distance for the Canon FD mount.

How adapters work – The adapter takes up the space between the mirrorless camera’s short Flange Focal Distance (Register) and the required Flange Focal Distance for the Canon FD mount in this example.

One key thing to remember with these adapters, however, is that they are best suited to fully mechanical manual lenses. That is, those with manual aperture rings and good manual focus helicoids. While simple adapters exist for Nikon F and Canon EF, the use of Nikon G lenses and Canon EF lenses on these simple adapters means you lose the ability to control the aperture, and none of the autofocus features work. There are some adapters that have built-in electronics and do allow for aperture control of these lenses, and in some cases autofocus and image stabilization, but they are rather expensive.

Continue: Types of Adapters and Types of Lenses Best Suited to Adaption

About the author

Jordan Steele

Founder and Editor-in-Chief of Admiring Light; Photographer; Electrical Engineer and Dad


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  1. Stephen Davies

    What a beautifully written, organized and complete overview. Thank you.

  2. vijay

    Fantastically written covering so many bases and aspects; a nice dosage of fine photographs too. The joy of the little girl jumps out of the “girl on swing B/W photo”. I’ve bought a NEX-5R recently and have been contemplating getting a AF Nikkor 50mm f/1.8D lens and a Fotodiox Nikon Lens Mount Adapter for NEX. Your article has thrown more light. Even just the idea of changing aperture, shutter speed and manually focusing is taking me back to my college days and am excited to experiment that. Thanks for this neat write-up.

  3. Wolfgang Lonien

    Great article Jordan, and that photo of your daughter on the swing is truly outstanding! Good advice for my brother as well, who is looking for some longer zoom (preferable Canon FD). Oh, and I bought the same OM Zuiko macro lens for my wife – here are some of our first test shots done with it.

  4. John

    I have 2 leica big guns, a 400 6.8 Telyt & it’s big brother 560 6.8. I have adapted them to my OMD with KIWI adapters…Infiniti focus is not preserved! So forget the moon shots. Will the OMD focus confirm without adandilion chip on the OMD? Jam seriously considering the Leitax adapter for the slid attachment.


    1. Hubertus

      Infinity ought to be preserved with any Leica to Micro Four Thirds adapter, be it M or R mount. If it isn’t, something has gone wrong. I’m using a “Kiwi” adapter to mount Minolta SR lenses on a Sony NEX without any problems with infinity.

  5. Stefano

    Beautiful photos and great article. It fits perfectly the experience I am having with my gear (an OM-D E-M5 and some contax/yashica lenses). Thank you Jordan


  6. Henrik

    Good write up! I also have an (somehow more technical) article on my blog on flange distance laying out the pros of using mirrorless cameras when adapting old(er) lenses and links to some other references in the www:

  7. Kelvin

    Superb write up and fantastic images… I use Minolta and Konica lenses exclusively with my X-Pro, as you have already stated the results have been outstanding. I am compiling a list and short review of the many Minolta and Konica manual lenses I own and use on my blog so folks can get an idea of what to expect ( http://www.ikphotography.com/Blog/ )… In my opinion, they are simply worth the experience and money.


    1. dave bailward

      Hi Kelvin,
      Saw your write-up in Admiring Light and would appreciate hands-on info. I have X-10/30/100 and am considering an X-Pro 1; the lens I have for it (our Craigs List lists most of them body only) is a Konica 50/1.7. In X-speak this would be a 75mm I guess.
      Live view should show the exact image from this lens, but how would it be in the optical V/F?
      Many thanks

  8. Ad

    Very nice and balanced article, I think, talking from my experience with µ4/3 cameras and the NEX-6 and lots of legacy glass. One addition maybe: Lightroom does a great job in reducing purple fringing, often up to the point of eliminating it. A lot of legacy lenses benefit from this.

  9. Wilbur

    Stumbled upon your blog when looking for some Fuji X lens info. Ended up reading several articles and enjoyed them all!
    Then, I saw “In the Gorge” and clicked on it. Wonder of wonders!
    I am originally from Zanesville and went to the Hocking Hills many times with my family and as a scout. Your photos brought back great memories traipsing all those parks in the 1960s and 1970s before I moved away to an urban life in great cities around the world. Now that I’ve settled down in rural northern New Mexico I can take pics of nature’s wonders on a daily basis again.
    Thanks for the good technical info on “equivalence” and the fine photographs.
    The next time someone approaches me with my Fuji X-Pro1 and asks if I am bothered by the small sensor I think I’ll simply say, in an offhand way, “Oh, it’s OK — and a nice break from the 8 x 10 view camera I usually lug around!”
    (I was not able to send this note on the appropriate page “In the Gorge” as I got ERROR messages.

  10. chufi

    Hi, I had a question for you: Have you tried an FD to fuji adapter that works with a FD 50mm 1.2 lens? I have the cheapy 13 dollar one off ebay which seems to work fine for most lens, but the FD 50mm 1.2 I have won’t quite focus to infinity which is a bit vexing. I see various other versions of the adapter from different venders at increasing cost but can’t tell if they allow any adjustment or I’m going to be facing the same issue. The fd 50mm 1.2 seems to focus fine on it’s one looking through the viewfinder of an old AE-1 camera.

  11. jason

    great read!
    thank you so much for your time. very informative.
    Would you have a suggestions for a cheaper marco legacy lens for a x e-1?

  12. Esteban

    Thanks a lot for this great report. The best I’ve read so far about adapters on M43.
    I’m going to sell a lot of Nikon lenses, but after this report definitly will try out first the 50mm/1.4 and the 85 mm/1.8

  13. Darren

    hi…firstly thanks for the information you provide in your blogs very helpful…secondly .i have many FD lenses which i use with my Fuji X Pro1 and am very pleased with the results which i use with just a cheap adapter from ebay….but with my canon FD 300mm f/4 lens the same adapter will not focus to infinity…any suggestions, do i need a better adapter or is there and issue with the lens?…thanks in advance for any help

  14. Mike

    Just wanted to say, really interesting articles and lovely photographs.
    Being able to use old glass was one of the reasons I bought the X-E1. It seems to be the closest you get to “old style” photography on the digital format, and like you say can be a lot of fun.
    I bought a KIWI adapter for my Fujinon glass (some I used with my ST-701 and some I’ve collected since). The aperture blade screw was misaligned, so I had to bend it in order to lock the adapter into place, but now it works fine. I also picked up an m42 adapter. I hope somebody eventually brings out a “metabones” for the old X-Fujinon bayonet mount to X-mount as I’d love to use some of the lenses at their original spec, especially the X-Fujinon 19mm F/3.5.

  15. Geoff

    Enjoyed the article, read every word and some several times. well written for someone considering switching to mirrorless system.

  16. Mark

    Awesome write up. I have had in my collection a minolta 58 1.2 and after this read I’ve decided to buy an adapter for my Oly E3. Great pics too! Thanks for the inspiration.

  17. moti

    Nice article , I have an Olympus omd em10 2 want to know what you wold recommend for wide angle on this camera


    1. Jordan Steele

      It depends on how wide you want to go. I would not recommend using manual focus lenses for wide angle with one exception: if the Rokinon 12mm f/2 is wide enough for you, it’s a good option. If you want wider, either of the two Olympus ultra-wides are great, with the 7-14/2.8 being exceptional. The 9-18 is also very good and very small. The Panasonic7-14 is also a good lens, but it has odd purple ghosts on Olympus bodies.

  18. Matt Benton

    One quick question. Does using an old manual lens affect settings on a mirrorless camera, other than the basic exposure settings, or am I seeing different characteristics of the lens?

    I’ve just started using my old Pentax K 50mm f2 on my EOS-M. I have the EOS-M set ‘flat’ for video work, and there’s a considerable difference between the Pentax image and the stock Canon 18-55mm for the same subject with the exact same exposure settings – the Pentax is maybe even a full stop brighter, colours definintely warmer and much closer to what I’m seeing in real life. I’m assuming this is the character of the lens and not a case of the EOS-M ignoring my manually set white balance/flat custom colour scheme when I use the Pentax lens in full manual mode?


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