Before getting into my Canon EOS R6 review, let’s take a quick look at Canon’s mirrorless history. Canon’s mirrorless camera development started slowly, with the EF-M system beginning in 2012, but targeting casual shooters. That system has been moderately successful, but Canon has put minimal effort into expanding the system, and 8 years after the…
Category: Reviews
Review: Tamron 70-180mm f/2.8 Di III VXD
Tamron has been in the lens business for a long time, having established itself as a major third-party player for SLR systems going back decades. Despite that pedigree, Tamron had barely dipped its toes in the waters of mirrorless for many years before finally jumping in to the Sony E mount system in earnest two…
Review: Sigma 14-24mm f/2.8 DG DN Art
Sigma has slowly morphed over the past several decades from a budget lens maker into one of the premier lens makers in the industry. Their Art series lenses have continually raised the bar for high quality, yet reasonably priced lenses, and their first few mirrorless-specific entries have also been outstanding. Today I’m looking at one…
Review: Sony A7R IV
Sixty-One Megapixels. That’s the headline that accompanies almost every mention of Sony’s newest full-frame mirrorless camera, the A7R IV. The A7R series has always been Sony’s flagship body for landscape and high image quality work, and the fourth generation bumps the resolution of the sensor from 42.7 megapixels to a whopping 60.1, which somehow gets…
Review: MindShift BackLight 18L
If you’ve been to the site the past few weeks, you’ve probably seen my recent posts concerning my trip to Death Valley, and a more local trip for some waterfalls at Tinker’s Creek here in Ohio. When I was gearing up for my trip to Death Valley, I knew that I was going to be…
Review: Sigma 35mm f/1.4 DG HSM Art (Sony E-Mount)
The 35mm landscape for the Sony E-Mount has a wide array of options to choose from, and it’s become even more crowded with the recent announcements of Sony’s long-awaited FE 35mm f/1.8, and Sigma’s brand-new ultra-fast 35mm f/1.2 FE, not to mention Tamron’s new 35mm f/2.8. However, at the fast f/1.4 aperture, there are three…
Review: Voigtländer 12mm f/5.6 Ultra Wide Heliar
Cosina, the manufacturer behind the modern Voigtländer brand, has been producing outstanding optics for the Sony E-mount for the last several years. I’ve reviewed several of these lenses, and have been regularly impressed. Voigtländer has managed to produce high-end manual focus lenses that rival the very well received Zeiss Loxia line in many ways for…
Review: Tamron 17-28mm f/2.8 Di III RXD
Tamron had great success with their first full-frame Sony E-mount lens, the 28-75mm f/2.8. The lens was affordable, had very good image quality, a solid yet lightweight build and made for a very nice alternative to the Sony 24-70mm f/2.8 GM. Now they are targeting the ultra-wide zoom segment with the new Tamron 17-28mm f/2.8…