The Zeiss name has been synonymous with high-end optics for a century.  In the past 30 years, they’ve become known for creating lenses with beautiful color and contrast and biting sharpness.  This legacy continues with the Zeiss Batis 85mm f/1.8 Sonnar T* for Sony E-Mount.  Zeiss and Sony have long held a partnership in the…

Sony has been quite busy the past two years in fleshing out what is still the only full-frame mirrorless camera system.  The latest addition to this growing set of the cameras is the impressively specified A7R II.  The A7R II follows up the very successful A7R by giving it the same upgraded body style that…

The Olympus 7-14mm f/2.8 PRO adds the ultra-wide angle range to the PRO line of f/2.8 zoom lenses recently introduced by Olympus for the Micro 4/3 system.  The 7-14mm f/2.8 is a faster and supposedly superior optic to Panasonic’s excellent 7-14mm f/4 lens that has been a staple of the Micro 4/3 system for many…

Zeiss has an interesting strategy when it comes to the Sony FE mount. There are three lines of Zeiss lenses.  The first, is a joint venture with Sony to co-design native lenses such as the FE 16-35mm f/4 and FE 55mm f/1.8.  Then there’s Zeiss’ autofocus Batis line, and finally the small manual focus Loxia…

Fuji’s hard work at fleshing out their X series lineup continues at a frantic pace.  Today I review the brand new XF 90mm f/2 R LM WR, a lens that has the field of view of the classic 135mm long-portrait lens that has been a staple of many systems over the years. The 90mm f/2…