Canon’s 70-200mm lenses have always been one of the core lenses in their camera systems, and have consistently been excellent. With the new mirrorless RF system, Canon has changed things up with regards to the construction of their RF 70-200mm f/2.8L, moving from a constant length internal zooming lens to a much more compact extending…
When Canon began the EOS R system, they started with three L series lenses and one affordable prime lens: the versatile 35mm f/1.8 Macro IS. As they have fleshed out the system, they’ve added a few other affordable lenses, but if you wanted a faster lens for portraiture, you were somewhat limited to the exceedingly…
Canon’s full-frame mirrorless system launched with one camera, the EOS R, and four lenses. After two years, the workhorse standard zoom released in that initial batch, the RF 24-105mm f/4L IS, is still one of the more desirable lenses for the system. As of this writing, it’s also the only really affordable L series lens…
Before getting into my Canon EOS R6 review, let’s take a quick look at Canon’s mirrorless history. Canon’s mirrorless camera development started slowly, with the EF-M system beginning in 2012, but targeting casual shooters. That system has been moderately successful, but Canon has put minimal effort into expanding the system, and 8 years after the…
Tamron has been in the lens business for a long time, having established itself as a major third-party player for SLR systems going back decades. Despite that pedigree, Tamron had barely dipped its toes in the waters of mirrorless for many years before finally jumping in to the Sony E mount system in earnest two…
Tamron has made some waves with their lineup of compact, and lightweight, yet high quality zoom lenses for Sony E-mount, offering excellent performance in a small package at a price point significantly lower than the native Sony options. The final piece of this puzzle is the brand new 70-180mm f/2.8 Di III VXD. This has…
Sigma has slowly morphed over the past several decades from a budget lens maker into one of the premier lens makers in the industry. Their Art series lenses have continually raised the bar for high quality, yet reasonably priced lenses, and their first few mirrorless-specific entries have also been outstanding. Today I’m looking at one…
Sixty-One Megapixels. That’s the headline that accompanies almost every mention of Sony’s newest full-frame mirrorless camera, the A7R IV. The A7R series has always been Sony’s flagship body for landscape and high image quality work, and the fourth generation bumps the resolution of the sensor from 42.7 megapixels to a whopping 60.1, which somehow gets…