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Review: Sony FE 24-70mm f/2.8 GM
Early this year, Sony announced three new members of a new lens line, the “G Master” line, to denote top end professional grade lenses. Two of them are the key pro-grade zoom lenses that are essential to high-end systems: the 24-70mm f/2.8 and the 70-200mm f/2.8, while also releasing a fast portrait prime in the…
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Review: Sigma 30mm f/1.4 DC DN (Sony E-Mount)
A few years back, Sigma made some waves with the release of three very affordable, but moderate aperture prime lenses for mirrorless cameras. The Sigma 19mm f/2.8, 30mm f/2.8 and 60mm f/2.8 are still among the very best values in the mirrorless world, providing very high quality optics at a fraction of the price of…
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Review: Olympus Pen-F
It’s been almost seven years since Olympus entered the Micro 4/3 market with the Olympus Pen E-P1. The Pen name harkened back to Olympus’ half frame line of film cameras that began in 1959. After several iterations of the Pen lineup, Olympus has borrowed the full name of one of those film bodies for its…
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Review: Fujifilm X-Pro 2
After four long years, it’s finally here: the Fuji X-Pro 2. Fuji fans have been waiting for an update to the original X-Series interchangeable lens camera for a long time, and Fuji has seen fit to update quite a bit with this new rangefinder-styled flagship. While the exterior of the camera looks very similar to…
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Fuji X-Pro 2 vs. Sony A7 II: Noise Comparison
The new Fuji X-Pro 2 is the first camera from Fujifilm since the release of the X-Series to feature an all-new image sensor. The new APS-C sized sensor is a 24 megapixel CMOS sensor with Fuji’s X-Trans filter array. The new sensor is also said to improve high ISO shooting when compared to the previous…
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A Visit to Florida
So, I’ve been visiting family in Florida for the past few days, and while the primary purpose of the trip wasn’t photography, I had a bit of time to shoot. I decided to bring my Fuji kit on this trip, and it performed well, as expected. I thought I’d share a few photos from the…
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Review: Sony FE 70-200mm f/4 G OSS
Today I’m taking a look at one of the first FE lenses released for the system, the FE 70-200mm f/4 G OSS. Until the recent announcement of the new G Master 70-200mm f/2.8, this lens was the only option for a native telephoto zoom lens for full-frame E-Mount. It fills the classic telephoto zoom range…
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Sony FE 70-200mm f/4 G OSS vs. Canon EF 70-200mm f/4L
Today, I’m taking a quick look at two telephoto zoom lenses: the Sony FE 70-200mm f/4 G OSS and the Canon 70-200mm f/4L, and how they compare on the Sony A7 II. These two lenses may seem like odd things to compare, given that one lens is a native Sony E-mount zoom, while the other…
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Nope.