The new Fuji X-Pro 2 is the first camera from Fujifilm since the release of the X-Series to feature an all-new image sensor. The new APS-C sized sensor is a 24 megapixel CMOS sensor with Fuji’s X-Trans filter array. The new sensor is also said to improve high ISO shooting when compared to the previous…
Today, I’m taking a quick look at two telephoto zoom lenses: the Sony FE 70-200mm f/4 G OSS and the Canon 70-200mm f/4L, and how they compare on the Sony A7 II. These two lenses may seem like odd things to compare, given that one lens is a native Sony E-mount zoom, while the other…
Today, the fine folks at Fujifilm brought the new releases to my local camera store, Midwest Photo Exchange, for some hands on interaction with the latest Fuji releases, including the X-Pro 2, the X70 and the new 100-400mm f/4-5.6. I spent a fair bit of time with each camera, but of course this falls well…
When looking at cameras and lenses, there are so many choices to make, and with the cost of gear, it can be hard to make these choices without being informed. A large part of the work I do for this site has to do with gear reviews, and as such I have the opportunity to…
Another year is drawing to a close, and 2015 saw the further rise of mirrorless, thanks largely to the success of the Sony full-frame E-mount system, though the other mirrorless makers continued to improve their systems and flesh out lens and camera lineups, with Micro 4/3 and Fuji X both rounding into nearly complete camera…
Today, I’m pitting the original lens for the X-Series, the venerable XF 35mm f/1.4 R against the new normal prime, the XF 35mm f/2 R WR, a slightly more compact and weather resistant lens that has just been released for the X-Series of interchangeable lens cameras. The lenses carry the same field of view and…
Sony released Firmware 2.0 for the nearly year-old A7 II on November 18, though it was put up a few hours early by several Sony sites in Europe, so those who wanted could do the upgrade a bit early if they so desired. This firmware was billed primarily for bringing uncompressed RAW capability to the A7…
Today I’m looking at a quick test of two wide-angle lenses for the Sony full-frame E-Mount: the Zeiss Batis 25mm f/2 Distagon and the Sony FE 28mm f/2. There’s a $900 price gap between the two lenses, which share a somewhat similar field of view and the same maximum aperture. How do they compare? Let’s…