Fuji kicked off the X-series with the original X100, a camera that had a distinct retro aesthetic, great image quality and an optical viewfinder. It made waves and eventually led to Fuji’s successful X-Series of interchangeable lens cameras. The X100 has seen two more iterations, and today I’m looking at the newest ‘little brother’ of…
Today, I’m taking a look at something a bit different from my normal reviews: a wireless TTL flash trigger for the Fuji X series. This set is the RoboShoot MX-20 from Serene automation, which provides through the lens metering via off camera flash using Fujifilm or Nikon flashguns on your Fuji X camera. I don’t…
How wide can an ultra-wide go? It’s a question you’ll find yourself asking when you get ready to mount the Voigtländer 10mm f/5.6 Hyper-Wide Heliar: the widest rectilinear lens ever made for a camera. As soon as you look through the viewfinder with this lens mounted, you’ll have your answer: almost unfathomably wide. The 10mm…
Micro 4/3 has long been a great system for getting quite a bit of reach out of a small package, though pro-grade super-telephoto lenses have been missing from the system until this year. While Olympus released an excellent 300mm f/4 prime lens, Panasonic chose to enter this space with this lens: the Leica 100-400mm f/4-6.3….
Sony has been cranking out new lenses in 2016, with a total of 5 new lenses announced over the first 5 months of the year. In addition to the long-awaited fast aperture G Master line, Sony also released two options that were more modest in aperture: the 70-300mm f/4-5.6 and this lens: the Sony FE 50mm f/1.8….
Today I’m looking at another lens from Sony’s new G Master series of professional-grade optics, the FE 85mm f/1.4 GM. This is the only prime currently in the GM series of lenses, and fills a need for many professional shooters, providing a very fast f/1.4 aperture in the classic 85mm focal length. The FE 24-70mm…
Today I’m comparing the new Sony 85mm f/1.4 G Master against the two full frame portrait primes I happen to own. I know many would like to see a comparison with the Batis 85mm (reviewed here), but alas, I do not have one handy. Still, this is an interesting comparison, as it pits the newest…
Early this year, Sony announced three new members of a new lens line, the “G Master” line, to denote top end professional grade lenses. Two of them are the key pro-grade zoom lenses that are essential to high-end systems: the 24-70mm f/2.8 and the 70-200mm f/2.8, while also releasing a fast portrait prime in the…